Research On The Poems Of Zhenyuan In The Middle Tang Dynasty

The change of poetry style in Tang and Song dynasties has always been a hot topic in academic circles.Although when it comes to the Middle Tang Dynasty,“‘Qi and ‘Gu’ suddenly faded away”,but it is generally believed that is the type of song poetry of Tang poetry style transformation in the form of the first stage,and Zhenyuan period poetry and poetic theory is very important in the development of Tang poetry,has a sense of poetic history can not be ignored.Zhenyuan period poetry shows a tendency of the following three: one is "body may not loss" for the principle of Zhenyuan period poetry theory innovation,the essence of which is Qi Liang style in the Zhenyuan poetry Renaissance.The revival of Qi Liang’s poetic style in Zhenyuan is mainly reflected in two aspects,namely,the revival of the theory marked by Shi Shi and the creation of the Tai Ge poetry based on Quan Deyu.Shi Shi is a reflection on the status of the poetry circle in the early period of Zhenyuan with the help of the evaluation of Qi Liang poetry style.He is opposed to the strong effect of restoring ancient ways,advocating artistic innovation,and passing on the idea of poetic innovation by virtue of the high degree of achievement of Qi Liang’s poetry.Later,Quan leaves the body,such as the poet created a large number of corpus poem,and "acrostic" and "embedded word poem" game poetry body,in the practice of the creative practice of the concept of new poetry,restoring ancient ways through the height of the poetry art form and trying to search for innovation,to break through the barriers of Dali period poetry.The revival of Qi Liang’s poetic style in Zhenyuan has not only played an important role in the reform of Zhenyuan’s poetic style,but also provided a direct reference for the later yuan and poets to learn and reflect.The second is that the "‘Qi’ and ‘Gu’ still exists" as the brand of Zhenyuan poet’s inheritance and promotion of the meteorology of the Tang dynasty,mainly manifested as a very different romantic poetic style.Different from Dali poetry style,represented by Gu Kuang,turns the Zhenyuan poetry style,respectively inherited the peculiar and Chiang kai-shek in the Li Bai poem writing,and combining with their own personal style.Gu Kuang for annotating poetry advocates the freak style has a direct influence,and indirectly influenced Li He strangeness side in poetry creation,and Li He Chiang kai-shek in the poetry,the so-called charm with the Tang dynasty,was influenced by turns.The third is the retro and new change of the poetry in the period of chastity,which is the poetic creation idea of realism.The inheritance and new changes of Yue Fu poetry in the period of Zhenyuan period and the concept of realistic poetry creation in this stage are mainly reflected in the inheritance and new changes of the poet’s writing style.After the introduction of Du Fu’s poems,the style of writing and writing is very important to the realistic and popular poetic thought of the Yuan and Bai poetry.It is worth noting thatGu Kuang’s influence on the Yuan,Bai was initially through his influence on Wang Jian to indirectly influenced Yuan,Bai.Arrived late,Gu Kuang to act directly on the Yuan,Bai poetry creation.