On The Relationship Between Kuang Zhouyi’s Epigraphy Activities And Ci Poetry

In the Qing dynasty,under the influence of pu Learning,jinshi flourished and became a prominent learning at that time.Literati and scholars are all immersed in it,and thus have a heavy identity-stone scholar.Kuang Zhouyi is one of the four masters of ci poetry in the late Qing Dynasty,and is famous for his ci poetry.The study of jin and shi had a profound influence on kuang zhouyi’s academic interest and aesthetic aspiration,and had an internal relationship with his ci-poetry purport and the change of his ci-poetry style.It is instructive to study the literary ecology of the origin and development of Kuang Zhouyi’s ci poetry from the perspective of the research.The first chapter traces the origin of Kuang Zhouyi’s stone activities,pointing out that kuang zhouyi’s stone activities were directly related to the academic background at that time,originated from Kuang’s youth,and ran through his entire academic career.First introduces various big background in late qing dynasty scholars craze for epigraphy social atmosphere,and then people are keen to cure stone,second excavation of Zhou Yi family background for his writing,put stone laid a solid foundation,once again explore the predecessors of the ethos of epigraphy caused by fellow KuangShi are exposed,germinal the strong interest of epigraphy.The second chapter summarizes the progress and achievements of the jin,Zhou and Yi jin and their achievements in chronological order,and mainly discusses the progress and achievements of the two aspects.First of all,in the part of the communication of stone and stone,it introduces the communication of Kuang Zhouyi,the steles he visited and the collection of stone and stone.Based on the time when Kuang Zhouyi wrote the book,it describes the friends he made from five places to three scenes and the communication of stone and stone in his middle age.The part of the collection of stone and stone covers all the collections of kuang Zhouyi’s works and notes.In the part of gold and Stone studies,it mainly narrates kuang Zhouyi’s hard work in the shogunate,and intersperses his travels with the shogunate to add fullness to the article.The third chapter is close to the topic,starting from Kuang Zhouyi’s stone ci,to discuss the influence of stone activities on Kuang Zhouyi’s ci study.First of all,in the form of tables,the author sorts out the dating and provenance of the jingci of Kuang Zhouyi,and gives a clear definition of the concept of "jingci".Secondly,it divides the poem into four parts,and then discusses the inner meaning of kuang Zhouyi’s stone poems,analyzes the real emotion of the stone poems,and draws the conclusion that Kuang Zhouyi’s writing of stone poems is the admiration for the dead culture.This paper introduces again the situation of Kuang Zhouyi’s participation in the collection of stone and stone,and shows the relationship between the literati’s painting and calligraphy and the study of gold and stone from the artistic perspective through the common aesthetic thought of stone and stone of the literati in the late Qing Dynasty.The fourth chapter explores the relationship between Kuang Zhouyi’s inscriptions and ci poetry.First of all,through Kuang Zhouyi’s life path,it is inferred that there is a clutch relationship between the study of gold and stone and the study of ci.Secondly,by comparing his notes and ci collections in table form,it is concluded that his academic activities can be roughly divided into three stages:the first stage is devoted to ci;the second stage is devoted to epigraph;the third stage is devoted to injecting epigraph aesthetics into ci in his later years.Then according to the respective characteristics of the three periods,we can see many changes among them.One of the changes is that Kuang Zhouyi was fond of colorful words in his early years,and later advocated "heavy and clumsy" words.The second change lies in Kuang Zhouyi’s use of calligraphy in his ci criticism.In conclude,case Zhou Yi after epigraphy of beneficence,the aesthetic thoughts with epigraphy into ci criticism,has caused the stone inscription rubbings and ci resonance,this is undoubtedly a kind of art into the thought way of innovation,and such into thinking methods exist not only epigraphy learn with the cross of ci.there are also epigraphy,painting and calligraphy,and other fields of art,This makes Kuang Zhouyi’s criticism of ci with the concept of stele have universal significance.