| In the comparative study of the female images of contemporary Iran and Chinese children's films,the creation of female figures in Iran children's films is unique,while Chinese children's films are much inferior.Iran children's films are especially prominent in characterization and characterization.In the creative thinking,Iran children's film to children as a creative starting point,with the perspective of children outline the typical female image in the film follows the aesthetic principles of right,Chinese children's film to social mainstream consciousness as a starting point,highlighting the women in society suffering,highlighting the special features of art reflect life;in the theme content,Iran children's film thought as the center,the film of female images in the plain style hidden and not exposed to the director to render content to show up,Chinese children's film plot centered,female characters in the interlocking theme,expression Center thought to reflect the film;characterization on the image of women in the Iran children's film life carefully,always feel the social pressure,but still face the difficulties,strong students Chinese children live,the female images in the films or sentimental ignorant,or does not fit the actual part of an old head on young shoulders,the phenomenon is not strong sense of substitution.Compared with the female image of Iran children in the film,shaping the image of Chinese female children in the film,excessive attention to heavy social problems,fixed female children in the movie look weak in society,too much emphasis on the creative concept of educational thinking,lack of standard of children.Based on the comparative study of three aspects of characterization,subject matter capture and conflict,this paper comprehensively analyzes the female images in contemporary Iran and Chinese children's films,and finds out the lessons that Chinese children's movies can be learned from in the process of shaping female characters. |
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