A Study On The Style Change Of The Illustrations In The "Pipa Ji" Of Ming Dynasty

In this paper,we first illustrate the narrative and image characteristics of printmaking illustrations with illustrations of books and printmaking illustrations.The independent appreciation value caused by the iconicity of book illustrations makes book prints can be discussed from the perspective of art works.In the second part of the eleven edition of the collected Ming "The Story of A Lute","analysis of the Gao said life" ninety percent off,a preliminary understanding of the characteristics of each schema style between the print editions and illustrations,"Nanpu will not","the mirror" and "self Zaokang seventy percent off is" analysis,discussion opera books and prints illustrations of "schema" and "schema from".Through the analysis of "The Story of A Lute" "source schema" is the art of painting and drama,the two edition of books through art form as the media influences the trend of this style of illustration;and for the "schema from" discussion,there are two kinds of cross spread way,are the same edition spread and spread between different versions of schema schema,the same edition of the main schema schema spread way of spreading,but also between different editions of the theme,similar to each other scenario,base this form in different text similarity plot appears.The third part takes the time as the clue,four different editions of the late Ming Dynasty "The Story of A Lute",are playing tiger,Huancui,Shi Xuan Tang Kan Ben Shi Jian Tang Kan Ben and Ling Ke,discuss the four turning point of the Ming editions of"The Story of A Lute" illustration style changes,as well as the cultural phenomenon produced the characteristics of.In the analysis of playing tiger edition Xuan,focus on Huizhou "fine print" "The Story of A Lute" the causes and regional characteristics.In the analysis of Huancui Tang Kan Ben in the discussion of Huizhou area "The Story of A Lute" appeared in print illustration of painting style changes and new trends.In the discussion of the Shi Jian Tang Kan Ben,focuses on the in-depth analysis of the relationship between text and grasp of the late Ming Dynasty famous painter.The Ling edition research is focused on the analysis of Wu xing area "The Story of A Lute"edition of the new features,affect identity change and print illustration poetic trend.In short,through specific information book illustration of screen style and artist,publisher and discuss books and prints the style and regional characteristics,analyzes the relationship between the changing nature of change and the style of illustration of bookshop during the late Ming dynasty.Finally,through the phenomenon of print illustration style change combs Ming editions of "The Story of A Lute" in the discussion of cultural phenomenon reflected in the information and illustrations Bookstore information,in-depth discussion of three issues:first,the layout of the moonlight is illustrated books;second,print style changes and the literati landscape painting;literati painting in third,the phenomenon through the discussion of the three questions,the analysis of the late Ming Dynasty "The Story of A Lute" edition of opera,opera culture as part of the desk,because the late Ming literati lifestyle changes caused by the books edition of the audience change phenomenon,scholars "elegant culture" discusses the aesthetic needs of late Ming dynasty.