Research On Bai Nationality Silver Kettl

Dali Heqing silver decoration forging skills are superb.It is a state-level intangible cultural heritage.The Bai silver pot made using this technology has exquisite device shape,various decorations and ethnic cultural characteristics.The White silver pot is not only popular at home,but also exported to Southeast Asian countries.It is one of the representatives of the excellent culture and art of the Bai nationality.It is adapted to the development of the times and the needs of the market,and it is worth learning and learning from other intangible cultural heritage in China.This paper mainly studies the silver pot of the Bai nationality in Xinhuacun Village of Heqing.First of all,the general situation of the silver pot of the Bai nationality was studied and analyzed,and the concept of the silver pot of the Bai nationality was put forward.It was pointed out that the historical process of the formation of the silver pot of the Bai nationality was based on the inheritance of ancient bronze techniques in Western Yunnan,and the integration and development of other ethnic groups.The metal process gradually developed.It bears rich Bai culture and national memory;The Bai silver pot is a useful vessel for life.Its device structure is reasonable and diverse.It has three types of silver pots,mainly Kowloon pots,modern tea ceremony pots and other types of silver pots.Forging,chiseling and welding are the three main production techniques of the Bai silver pot,as well as gold,filaments,gold plating,inlaid and other decorative techniques.Secondly,the pattern of the White silver pot is the embodiment of the Bai people's own culture,life,and aesthetics.It has a variety of kinds,reflecting natural life,ethnic beliefs,and good wishes for life.In the form of decoration,it is mainly composed of a variety of techniques such as carving,embossing,gilding,hammering,and inlaying.This makes the White silver pot not only practical,but also a piece of exquisite art,reflecting the exquisite craftsmanship of the Bai artisans.And national aesthetics;It is not conservative in the inheritance of the Bai silver pot process,and it maintains an open mentality,attracting silverware enthusiasts from all over the country to learn and communicate.Thirdly,the author summarizes the five aesthetic characteristics of the silver pot of the Bai nationality,which are beauty,ingenuity,rhyme,tooji and ecstatic,which are the manifestation of its artistic and cultural value.The White silver pot has practical value,craft value,art value and collection value.These values make it have infinite charm and meet the dual needs of people's material and spiritual needs.Finally,according to the problems existing in the silver pot of the Bai nationality,reasonable development suggestions are put forward.Regardless of the form of development of the Bai silver pot,the Bai silver pot must be based on the Bai culture,combined with the market,design,technology,and contemporary aesthetics,and the design of the device shape and pattern,so that the Bai silver pot forms its own style,aesthetics,and national characteristics;According to the traditional production method,according to the needs of the customers,according to the personal aesthetic and technical premise of the White Silversmith,the emphasis is on independent completion and emotional input;Under the premise of ensuring the exquisite degree and practical experience of silver pots,the development of batch industrialization will use machines to carry out hydrodynamic operations manually,reduce the cost of silver pots,meet the material and spiritual needs of people at different levels,and carry on the National crafts.Promoting the role of national culture.