Study Of Classics Of Mountains And Seas Edition

The study of classics of Mountains and Seas is an indispensable part in the study of classics of Mountains and Seas.The research on the single edition of classics of Mountains and Seas has many achievements,but comparison of multiple editions and comparison of different prints of the same edition is particularly important to explore the origin of the edition of classics of Mountains and Seas and choose the best edition.This article uses the method of comparison of different texts to compare the various texts,not only to find the original,reprints and first prints,post-prints,but also to understand the source of the version,and at the same time revealed the circulation of the classics of Mountains and Seas version,Ming and Qing Dynasty Relevant issues such as the engraving style of the period,taboo avoidance in the Qing Dynasty,etc.,and provided reference opinions for the further collation of classics of Mountains and Seas.This article takes the version of classics of Mountains and Seas.as the research object and is divided into three parts.The first part is the introduction,which summarizes the current research status of the version of classics of Mountains and Seas.in the academic circles.The second part is the text,which is divided into four chapters:The first chapter mainly lists the existing types of classics of Mountains and Seas.such as Song,Ming,and Qing Dynasty.It also introduces the volumes,volumes,plates,time of publication,and collection location of each edition of classics of Mountains and Seas in detail.And other information,so that people have a clearer understanding of the various versions of the "classics of Mountains and Seas".The second chapter analyzes the relationship between the versions of classics of Mountains and Seas in the Ming Dynasty.In the comparative study of the versions of classics of Mountains and Seas in the Ming Dynasty,a comparative analysis was made of the relationship between the different texts of the editions of You You classics of Mountains and Seas,The Interpretation of classics of Mountains and Seas,Jiajin Period of the Ming Dynasty Edition,Wu Yiben,and Hu Wenhuan Edition.Analyze its circulation according to the book chapters in the collection.The third chapter analyzes the relationship between the versions of classics of Mountains and Seas in the Qing Dynasty.In the comparative study of the versions of classics of Mountains and Seas in the Qing Dynasty,different texts such as the QingXiangsong group “qun yu shu Tang”,the Qing Dynasty Huang Sheng Huaiyin thatched cottage,the Qing Dynasty Wu Renchen's Notes on classics of Mountains and Seas,and the Qing Dynasty Hao Ying Xing's Notes on classics of Mountains and Seas were selected for comparison.Research and analyze the issue of their printing time,and analyze their circulation according to the book chapters in the block copy.The fourth chapter mainly studies the thought of the editions of classics of Mountains and Seas.With reference to the scripture notes of classics of Mountains and Seas of Song Dynasty as reference,the editors' attitudes towards Guo Yan's old annotations during the Ming and Qing Dynasties also reflected the editor's Published ideas.This chapter is also divided into two parts for the Ming and Qing Dynasties.The editors of the classics of Mountains and Seas of the Ming Dynasty had two attitudes towards the treatment of Guo Yanjing's annotations.The early Ming Dynasty generally reprinted the Song version according to the edition.When the classics of Mountains and Seas was reprinted in the middle and late Ming Dynasty,the scriptures were generally changed.It is related to the editor's own thoughts of school books,and it is also related to the engraving policy and engraving style of the Ming Dynasty.The Qing Dynasty's “classics of Mountains and Seas” 's treatment of Guo Yan's old notes is quite different from that of the Ming Dynasty.Focusing on innovation,revising the Guo Jingjing's annotations,and adding a large space,this is related to the editor's own thinking and the style of the Qing Dynasty's textual research.The third part is the conclusion.On the one hand,it summarizes the innovations and breakthroughs of this article,such as: this article focuses on the comparative study of different prints of the same version of classics of Mountains and Seas;this article combines the images and text of classics of Mountains and Seas for comparative research.On the other hand,it also clarifies the deficiencies of the research in this paper,and the source of Yuan Caoshan 's rare books has not been resolved.