With the progress of the times and social changes,g in China has experienced an evolutionary process,from reportage,documentary literature,features to non-fiction literature.Now there is a new chance for non-fiction writing----a new business model has achieved success of "content profit".In this reason,non-fictional writing platforms and teams have been established.Li Haipeng led Lin Shanshan,Du Qiang and other famous special-art reporters established the non-fictional writing team---"ONE Lab".This article places "non-fictional writing" under the new media environment and reconstructs the definition of "non-fictional writing".Using case study method and text analysis method,from the aspects of narrative content and narrative discourse,we studied the narrative strategies of 14 non-fiction works in "ONE Lab".In narratological theory,story texts are divided into "story" and "discourse."Taking the narrative content as an examination,the subject matter content of"non-fiction writing" is constantly expanding,while satisfying the reader's senses and aesthetic demands in the text,focusing on the sense of the screen.And the "ONE Lab"completely overturns the news writing paradigm and implements the literariness and dramatic narrative structure.The author boldly "involved" in the story,integrated"subjective presence" into the text,and broke through "non-virtual" obstacles.The direct communication between the author and the reader spans the narrator.From a narrative perspective,the "non-fictional writing",under the new media environment has multiple focussing perspectives.The story text is warming up and the reader's experience is heating up.Although "non-fictional writing" has made corresponding changes and adjustments in the new era context,it has become more free and open in narration and has also increased aesthetic and artistic quality.However,this is not a product of the new media era.The core vitality of fictional writing still lies in recording and thinking. |