| Character documentaries,as a more important subject matter in documentaries,focus the lens on all kinds of people in life,and reflect the social culture,history,human nature,emotions and other values behind them through the living conditions and inner world of individual characters or groups..Therefore,how to create vivid,threedimensional and full character images through imaging techniques under the premise of documentary is the ultimate subject of character documentaries.As a "symbolic animal",the process of shaping the characters in the character documentary is the process of finding symbols,creating symbols,and symbolizing image expression techniques based on the real life of the characters.Resonate,trigger deep thinking,and realize the purpose of documentaries reflecting reality.Then,in the specific creation of character documentaries,what kind of symbolic operation mechanism is used to shape the character image? From the perspective of semiotics,this paper intends to carry out a systematic study on this subject based on my graduation work "Fashion at Fingertips",in order to bring some thoughts to similar documentaries.Generally speaking,this paper is divided into five parts: the first chapter is the introduction part,which expounds the background and significance of this topic,the research status and research methods,and is an overall analysis of the feasibility of this research;Using semiotics theory to study the feasibility and necessity of characterization in character documentaries,and expounds the connotation and significance of characterization in character documentaries;the third chapter uses Saussure’s "Symbol Double "Axial Theory",expounds the "aggregation axis" operation of character creation in character documentaries from the two aspects of reality symbols and film and television language symbols;chapter four,expounds the"combination axis" operation of character creation in character documentaries,including narrative The fifth chapter explores the acceptance process of symbolic meaning from the perspective of the audience,that is,what kind of psychology and symbolic activities the audience uses to resonate with the characters in the character documentary.In the last part of the conclusion,based on the new media environment,the author reflects and looks forward to the shaping of characters in character documentaries. |