| After the Opium War,the nature of Chinese society has undergone a qualitative change.In economic terms from the original self-sufficiency the change of economic base affected the development of culture and art.The change of agricultural economy turned into capitalist commodity economy.Exhibition direction.In the art of painting,from the original ink-based,the performance of the aesthetic taste of literati painting form by Step to color-based,the performance of the public class aesthetic taste of the refined and popular painting form.Ju Lian and Ren Bonian were two painters who had a great influence on the development of flower-and-bird painting in the late Qing Dynasty.Their flower-and-bird painting the artistic style is formed under the background of such a great social transformation.Because of the difference of regional culture,their painting styles are also quite different.A painting style characterized by realism and light color.Lingnan is a true portrayal of the port culture and the gentle natural environment;Ren Bonian’s exaggerated and colorful appearance painting style is the integration of foreign painting forms on the basis of inheriting traditional art and culture.The “Ge Shan School” centered on Ju Lian and the “Shanghai School” represented by Ren Bonian were in Ling nan Area respectively district and Shanghai region set off a wave of reform of flower-and-bird painting.This wave of reform,although limited by geography,but also shadow it has a profound influence on the artistic development of Lingnan School and Shanghai School respectively.In the process of inheriting tradition and personal style,Ju Lian and Ren Bonian not only shared the same learning experience.Like,all foreign paintings have drawn lessons from,but also from the ancient,the integration of Chinese and Western painting.Therefore in their paintings,there is a lot of comparability.This article will from the Ju Lian and Ren Bonian flower-and-bird painting art style formation background,the concrete origin as well as the concrete drawing.Analysis of the three aspects of the form of painting,in order to deepen the two masters artistic style,art road,art concept even the understanding of the development of the whole late Qing Dynasty flower-and-bird painting. |