Research On Window Image In Poetry In The Tang Dynasty

The image of "Window" is an important image in Tang poetry.There are about 50,000 Tang poems in existence today,and nearly 2,000 of them are related to the image of "Window".The high proportion and wide range of these poems show that the poets of the Tang Dynasty attach great importance to them.From the perspective of mythological criticism,the original meaning of "Window" is home and protection.From the perspective of archetypal criticism,the original meaning of "Window" is home and communication.In the process of development,"Window" has gradually changed from simple practical objects to symbols of identity and status,making the meaning of contact and communication become isolated and antagonistic.In the symbolic meaning of "Window",the original meaning of home is presented."Kai Window" is not only a simple physical act,but also a symbolic act with aesthetic significance.The image characteristics of "Window" are mainly embodied in the material quality of "Window",the characteristics of emptiness and obscurity,and the ability to open and close.The main objects of study of the image of "Window" are poems expressing the meaning of "Window" with "Window","banyan" and "Xuan".The formation of the image of "Window" in ancient poetry was not accomplished overnight,but experienced a historical evolution process.Before Jin Dynasty,the image of "Window" was in the germination stage,and Jin Dynasty was the initial appearance stage of the image of "Window".The period of the Southern and Southern Dynasties and Sui Dynasty is a peak of the development of poetry.The implication of the image of "Window" has expanded a lot on the basis of the past.The implication of "Window" has made great progress in Tang Dynasty.There are mainly the following types of implication: through "Window" to express the magnificence of beautiful mountains and waters,the quietness of green mountains and waters,the sadness of cold mountains and waters,the beauty of carved beams and embroidered households,the ambition of leisure and reclusion,the yearning for family and friends,the change of historical vicissitudes,the sigh of short life and other aspects.The "Window" embodies the hero of beautiful mountains and rivers,which is embodied in two aspects: the small and big presentation and the ambition and ambition.The "Window" is mainly embodied in the presentation of no man's land and the pursuit of the clear sound of mountains and waters.The sadness of landscape embodied in "Window" not only esthetically reflects the sadness of landscape itself,but also expresses the poet's sadness through the sadness of landscape environment.The magnificence and complexity of the buildings with "Window" are mainly embodied in the imperial poems and the description of women's poems.The lodging of leisure and reclusion by "Window" is mainly embodied in two aspects: the reclusion of sitting alone in the countryside and the reclusion of lying high under the window.The miss of family and friends by "Window" mainly embodies in the lonely window,the boudoir window,the old window,the guest window,the palace window alone complaint,the empty window mourning friends and so on.The "Window" embodies the vicissitudes of history mainly in the sigh of the rise and fall of history and the sadness of the old house.The poems that express the short life and the perishable time by "Window" are mainly set off by "white hair" and "mirror"."Window" and fame are mainly embodied in the ambition of building a successful career and sighing that ambition is hard to pay.