| Cao image is one of the earliest images using high frequency, strongperformance, implication appears extremely rich imagery of ancient Chinese poetry.Grass Imagery constantly enriched by the literati, accumulate and form. At differenttimes, in different poets, manifestations grass imagery, meaning implication is alsoshowing different characteristics, this process also reflects the literary imagery fromthe bud to keep plump ripe law of development. Due to the use of ancient poetry inGrass Imagery numerous, difficult exhaustive. Therefore, this paper will examine thescope is limited to poetry, and to "Full Tang" the basis for the study of poetry receivedto Tang grass imagery in the accumulation of deep emotional content of the discussionfocused. Seeks a more comprehensive summary of the Multiple Meanings useimagery and the specific characteristics of grass performance.Full Text mainly composed of three chapters:The first chapter of Tang Literature intends to first make a rough grass imageryanalysis and generalization, to tease out its development and evolution of the contextfor the study of Tang grass imagery basis. According to the development of grassimagery itself can be divided into three stages:"Book of Songs " in the grass has notyet formed a complete image, the emotional structure of the whole poem primarily asBixing performance practices create the environment and the rise of the emotionalatmosphere of the scenery Although there are some scenarios combining relativelygood works, but on the whole, have not formed seamless link between the grassimagery and lyrical subject. But the " Book of Songs" grass imagery has inspired theworks of significance for future generations, Tang grass imagery inherited the " Bookof Songs" as a constitutive images grass home landscape environment to create anatmosphere of respect for the feelings of a fine tradition." Songs of the South " in thesense of some grass that is closely related to the performance of the poet referred tothe emotional, the source of meaning grass imagery more obvious. Two Northernand Southern Dynasties, the grass started to become common imagery in poetry,emotion and body combine with the more in-depth, emotional connotation and typeda solid start, grass imagery has been developed to a more mature period. Tang poetryfirst grass imagery has laid a solid foundation for the development of Tang grassimagery. The second chapter is to quantify the overall research methods, Full Tang grassimages that appear in whatever quantitative analysis, and conclude on this basis at thebeginning, containing, in the late Tang Dynasty poetry Grass Imagery usecharacteristics, thus manage basic outlook Qing Tang grass imagery.The third chapter will focus on the analysis of rich imagery implication Tanggrass, and then explore the emotional content of the text and creative mentality of theTang Dynasty son who they reflect. Is divided into five sections: The first sectiondiscusses the melancholy parting Acacia grass imagery and expressed feelings ofnostalgia think of returning home; lonely sad frustrated Section II discusses theexpress image of the grass; Wing Section III discusses the history of the expressimage of the grass Nostalgic sigh; Section IV discusses the quiet grass imageryexpressed indifferent ambition; Section V discusses the vitality and resilience of theperformance of the grass imagery.The fourth chapter from the grass and symbolic personification of these twoartistic point of view and a brief analysis of the artistic features of Tang grass imageryoperations, in order to show the Tang grass when using existing imagery pursuit ofnovelty and refined, and strive to renovate the artistic realm. |
