A well-known scholar,Mr.Gu Sui,devoted his entire life to education.He taught in Tianjin Normal University in his later years,the predecessor of Hebei University.In his spare time,he focused on academic research.Although he is well-known for his philology,he has also achieved high achievements in calligraphy.Based on the above two points,the paper takes Mr.Gu Sui as the research object,and takes Mr.Gu Sui’s calligraphy thought as the main content of the research.The thesis is divided into four chapters,using inductive taxonomy,example and argumentation,and research from the perspective of connection.The first chapter mainly sorts out Gu Sui’s calligraphy and analyzes the relevant content of his calligraphy thoughts,including the two aspects of calligraphy’s appraisal and study of calligraphy;the second chapter mainly studies Shen Yinmo’s appraisal of Gu Sui’s "taking the two kings" How did the formation of the influence have influence,including the reason for the intersection with Shen Yinmo,the turning point in life under the influence of Shen Yinmo,and the impact on his "fetching the two kings" criticism;the third chapter mainly studies Gu Sui’s ” ’S literary thoughts have an impact on the formation of the “ calling people to establish books ”calligraphy criticism;Chapter 4 mainly studies the influence of Gu Sui’s “seeking truth from nothing” on the formation of his “self-enlightenment and self-evidence” scholarship.Gu Sui’s view on "calligraphy of the two kings" was gradually formed on the basis of his self-study practice in the early stage,guided by Shen Yinmo’s cognition of "taking the Wei Jin".The formation of his "man-made book" calligraphy criticism is the rational cognition of "man-based writing" and "art for life" through the refinement of long-term literary practice under the real life experience.Under the influence of Gu Sui,people’s judgment was attributed to the standard of calligraphy.Due to practical reasons,Gu Sui was in contact with Zen.During his exploration of Zen,it was concluded that the connection between Zen and calligraphy is the "unspeakable" characteristic."Self-understanding and self-evidence" is the process of self-denial.It is also the process of breaking the "unspeakable" characteristic,and "seeking truth from nothing" is self-practice,which is an important means to break the "unspeakable" characteristic.As a result,after the accumulation of calligraphy practice in the later period,a "self-understanding and self-evidence" learning concept was formed.From the process of the return of the tradition of the academia during the period of the Republic of China,Mr.Gu Sui ’s calligraphic comment on exploring the rules of the Wei and Jin dynasties of "taking two kings" is the root knowledge of the tradition of the academia,and it ended for scholars at the time The occasional self-judgment provides an important theoretical reference. |