On Liu Yongji's Research On Qu Yuan's Fu

Liu Yongji lived across the three eras of the Qing Dynasty,the Republic of China and the People's Republic of China.His old-fashioned education focusing on the study of Confucian classics and poetry and songs has laid a solid foundation for him,and cultivated his comprehensive view of the academic history of Chinese classical literature.He also constructed his thinking mode as a traditional Chinese scholar.Under the cultural background of the violent confrontation between Chinese traditional culture and Western modern culture,Liu Yongji formed a conservative cultural view,and his research on Qu Yuan's Fu showed the academic face of adhering to the tradition.After the founding of the People's Republic of China,Liu Yongji's research on Qu Yuan has produced subtle changes in methods and perspectives,but his academic path is generally in line with the characteristics of the same.Liu Yongji's "the Commentary of Qu Yuan's Fu"," the Notes of Qu Yuan's Fu on the Notes" is a masterpiece of Qu Yuan's study of traditional Chu Ci Studies.In the present and modern times where the research methods and research perspectives of Chu Ci are constantly changing,unlike many Chu Ci Research Scholars who are deeply influenced by Western humanities and social sciences such as Guo Moruo,Wen Yiduo,You Guoen,and Jiang Liangfu,Liu Yongji always adheres to the traditional Chinese academics.The knowledge pedigree is used to study the Qu Yuan's Fu.On the basis of a large amount of materials,the traditional exegesis is used as the basis for the examination of the Qu Yuan's Fu.In terms of research methods,it is in the same line with the study of the Qiangjia School.The Studies of traditional Chu Ci is the boundary.In the interpretation of the meaning of the text,the classic traditional criticism theory such as "Knowing the man and Commenting on the world","Imagination of the meaning",and "the combination of the righteousness,the resignation and the testimony" is adopted.The material of the evidence is still the source.In the traditional historical history of the literature,it does not involve cultural relics and foreign literature;in the study of Qu Yuan's Fu,the written language still uses classical Chinese.The pattern,methods,perspectives,styles and categories of Liu Yongji's study of Qu Yuan's Fu are almost always traditional.In the history of the study of Chu Ci in modern and contemporary times,no one likes him to strictly adhere to the traditional path of the study of Chu Ci.He is the temple army of traditional Chu Ci resignation,and also a synthesizer of traditional Chu Ci Studies.Its promotion of the study of traditional Chu Ci can not be ignored.He upholds the principle of undecided and truth-seeking,and the attitude of Shang Gu but not fascinated by the ancients.He has made achievements in the textual research of Qu Yuan's life and the interpretation of Qu Yuan's Fu,and promoted the study of traditional Chu Ci Studies.Liu Yongji is the only outstanding scholar in the history of modern Chinese Chu Ci Studies in the history of traditional Chu Ci Studies.Sticking to tradition is both its characteristics and its limitations.Liu Yongji's analysis of Qu Yuan's Fu still uses traditional reviews.Although it is very lucid and full of insights,compared with Guo Moruo,You Guoen,Jiang Liangfu,etc.,there is a lack of systematic construction,mostly fragmented and fragmented.But he deduced that "Ode to Orange" was made by some writers like Huainan Xiaoshan,"Jiu Bian" was made by Qu Yuan,"Zhao Hun" was not made by Qu Yuan or Song Yu,and "Da Zhao" was made by the Han dynasty writer.Although there is a certain basis,the evidence is insufficient and not widely recognized by the academic community.