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Three Questions On The Study Of Yutai Xinyong

Posted on:2020-11-30Degree:MasterType:Thesis
Country:ChinaCandidate:Q S ZouFull Text:PDF
GTID:2415330620451522Subject:Chinese Language and Literature
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This article regards "Yutai Xinyong" as a complete selection system,and combines the political background,the literati mentality,the trend of the times and other factors to conduct an overall investigation of its selected poetry content,explore the theme of the era reflected in the selection,and look for the Confucian factors that are implicit in it.The full text is divided into three major themes,the first topic is the study of the content of Yutai Xinyong.By reproducing the political economy,literary group,Buddhist development,citizen culture,etc.of the Liang Dynasty in 531 AD(the upper limit of the book),trying to find out the implied era and all the texts Systematic features.From the popular Buddhism Nirvana of the Liang Dynasty,the article focuses on exploring the mentality of the Liang Dynasty people.Through the full investigation of the "life consciousness" and "time and space consciousness" in the book,the author thinks that the important background of "Yutai Xinyong" is "bitter",In the more than 600 poems of the ten volumes,the poets use the plain or gorgeous language to show the sorrow and resistance of people’s bitterness in life for hundreds of years.On this basis,the author discusses the two kinds of "bitter prescriptions" of "love" and "entertainment",and reveals the feedback of the poetry on the "poetry" and "legal" fashion.The second theme is the female study in Yutai Xinyong.Based on a large number of textual analysis,the article argues that poetry selection often shapes women’s images in three ways: vivid color description,diversified personality presentation,and careful grasp of mind and behavior.The author compares the creation of the two main subjects of the pronoun and the self-speaking body.It believes that the female group created by the male literati is from a wider social class.According to the male attitude,the overall classification is the ideal and beauty.In the two major categories,the former female image often has the male "self-projection" direction;the latter is also the female poet’s creation,often with a narrow range of subjects,reflecting the aristocratic life,and the the allusion is very simple.The third theme is based on the above two parts of the study,exploring the reflection of Confucianism in the "Yutai Xinyong".The Southern Dynasty is often considered to be an era that does not value Confucianism,However,specific to the Liang Dynasty,several emperors are very advocating Confucianism,especially the application of the study of Confucianism in the patriarchal ritual system,that is,"the courtesy." The article discusses the selection of poetry standards between "Feng" and "Ya",explores the "reasonable" factors in various "unreasonable sentiments",and reveals the Confucian "Woman’s obedience" view of the selection of poems.Furthermore,from the perspective of the inheritance of "History of Women’s Literature",Liu Xiang’s book "Lie Nv Chuan" and "Yutai Xinyong" are selected for comparative study,which believes that the latter has an era in the aspects of female imagecreation and female moral appeal.Characteristics,but the concept of "Woman’s obedience" is in line with the former.
Keywords/Search Tags:Yutai Xinyong, Liang Dynasty, Xu Ling, Palace poem, Woman’s obedience, Female literature, Taking poetry as a play
PDF Full Text Request
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