Study On The Formal Language Of Chang-Jiang Zhou's Geometric Schema

Chang-Jiang Zhou began in the late eighty s to the exploration and thinking,in the form of the early exploration of art form to abstract ideas,in the exploration of artistic language,his creation has experienced the "deconstruction-structure-refactoring" three stages,the works of painting materials,whether in the selection and application of,or in the art of painting language continuously exploration has great evolution and breakthrough.The formal language of geometric schema presented in his works combines the abstract art language of the west,the concept of deconstruction and the relationship between Yin and Yang of traditional Chinese Taoist philosophy,highlighting the interest of geometric schema.This study for the geometry form of Chang-Jiang Zhou painting language was studied,the first chapter of geometry and form language interpretation,the second chapter of the background and evolution of Chang-Jiang Zhou painting,combined with the Chang-Jiang Zhou different works and artistic value,this paper analyses the feature of the early work and after work in the form of the evolution and construction of the Chinese language,preliminary clarify Chang-Jiang Zhou painting in the inheritance relationship and the cause of the formal language.The third chapter is the interpretation of the formal language of Chang-Jiang Zhou's geometric drawing.This paper makes a detailed division Chang-Jiang Zhou's oil painting in terms of subject matter and time,and discusses the formation and development of Chang-Jiang Zhou's oil painting from the perspective of formal language in combination with his works.The fourth chapter,combined with the evolution of the formal language and creative ideas in his works,discusses in detail the uniqueness and value of the formal language of Chang-Jiang Zhou's geometric drawing and the contribution of the construction of his geometric drawing to the diversified development of contemporary Chinese oil painting.