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A Study On Jiang Zhaohe’s Painting Formal Language

Posted on:2016-11-21Degree:MasterType:Thesis
Country:ChinaCandidate:G L WeiFull Text:PDF
GTID:2295330479484310Subject:Fine art teaching theory
Abstract/Summary:PDF Full Text Request
With the continuous development of political and economic. The convergence of development, a new development trend is showed in modern art, which means that the integration and development between different artistic styles and between different schools. Among the numerous outstanding painters, Jiang Zhaohe has made remarkable achievements on the innovation and development of Chinese portraits. About the works language, he brought in the expression method of integration of Western realism and Chinese traditional painting methods, building a new painting methods between the realism and impressionistic. In a larger extent, it changed people’s aesthetic taste on Chinese ink paintings, which has gradually became a carrier to life, humanity and the expression of human feelings. With this very artistic carrier, his paintings faced up to life and he showed the change of fate of Chinese people in the 20 th century with his undisguised expression in his paintings. The mutual influence existed between his noble character and excellent paintings, which throughout his entire artistic career. In his paintings, he used vigorous brushwork outlines reality, watching the people’s livelihood and expressed life with his solid solid performance paints which is also the core of his works.His unique painting techniques and strokes concentrated expressed in his painting techniques lavished Chinese and Western. He originality combined the masterful sketching figures in Western and the impressionistic in Chinese ink portraits. In the paintings, he profound demonstrating the history the figures stayed an his inner world.with a unique painting technique, he was not only added an unparalleled wealth to the entire Chinese painting but also cultivated a group of outstanding painters. In his portrait painting, Jiang Zhaohe’s realized a further expansion of Chinese charming.The whole is divided into five chapters. Chapter One is introduction. Chapter Two contains two sections: section one gives a general introduction of Jiang zhaohe’s painting journey;setion two talks about Jiang zhaohe’s spirit quality and noble personality. Chapter Three contains two sections: section one outlines Jiang Zhaohe’s unique painting style which is a fusion of Chinese and western culture; section two mainly analysis Jiang Zhaohe’s work which are full of true, kind and beauty. Chapter Four deep analysis Jiang Zhaohe’s Chinese ink painting’s influence on contemporary painting field. The whole essay is to study Jiang Zhaohe’s painting form,panting theory and painting style and so on. It offers the other studiers a wider view and space for thinking.
Keywords/Search Tags:Jiang Zhaohe, painting formal language, Theory and style
PDF Full Text Request
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