The First Exploration Of Wang Wei's View Of Painting In Poems And Articles

Wang Wei,is Mojie,is famous for his poetry and painting.In the history of poetry,he was called“Poetry Buddha”;in the history of painting,he was also called“the ancestor of Nanzong painting school”.Su Shi commented on Wang Wei 's artistic creation characteristics of“ Uniformity for poetry and painting ”.Dong Qichang in the Ming Dynasty : “ Literati painting started here from Wang Youcheng ”,confirming Wang Wei's status in the history of Nanzong painting.This influenced the painting creations of Ma Yijiao,Xia Banbian and the Mi family.It can be seen from this that literati painting theory has undergone a turning point since Wang Wei's painting view and has been maturing.The academic circles have different views on his paintings and painting theories,and even think they are all fakes.From the perspective of art history,Hegel believes that“What is reasonable is real;that which is real is reasonable.”His painting view has a real influence on the development of Chinese literati painting and the formation of Chinese artistic spirit.Therefore,as an academic study,only the problems in his paintings and painting theories can be retained,and will not be discussed for the time being.Therefore,as an academic study,we can only keep the problems of painting and painting theory,and will not discuss it for the time being.In addition,we will choose a method and start from hispoems to summarize his painting view.On this basis,the deductive method is used to shift from the explanation of its academic thought to the elucidation of its painting view.In ancient China,the selected image was transformed from“Guanhua”(??)to Zen“Kongguan”(??).Wang wei is the person who connects the preceding and the following at this turning point.His poetry and painting outlook has the following characteristics:One is the unique concept of“Observation image”and“Select image”.In terms of aesthetic psychology,Wang Wei emphasizes the use of“Pure and clear heart”to observe images to appreciate the inbeing of nature.In terms of aesthetic conception,Wang Wei advocated the use of“Observation image”from the inside out to complete the detailed description of“shape”to convey the“spirit”.At the same time,Wang Wei also noticed the role of“Emotional”in“Acquisition of images”,emphasizing the externalization of the external physical states to indicate emotion and state,showing his emphasis on“Emotional”and“Spirt”.The second is the color view from rich to plain.With the transformation of Wang Wei's thoughts from Confucianism to Buddhism and Taoism,his poetic color changed from rich to plain,and finally simplified to green and white.The third is space-time awareness beyond time and space.Through the grasp of time and space,the past and the future are interrupted,and only the current image is taken,and the contraction of time is used to show the extension of space.In the field of the study of Chinese painting theory,people often refer to the“The landscape formula”and“The theory of landscape”written by Wang Wei.The academic circles are full of debates on the authenticity of painting theory,and it is also controversial whether the painting viewpoints discussed are owned by Wang Wei.Therefore,a dialectical analysis of the relationship between the views of painting in poetry and the views in painting theory can also further explore Wang Wei's aesthetic thoughts of painting.Wang Wei ' s view of painting was finally formed by various influences.The favorable cultural environment of the prosperous Tang Dynasty,sudden political changes,the fusion of the three Confucianism,Buddhism and Taoism,and the bumpy life experience.These external factors and internal factors complement each other,and together affect the direction of Wang Wei's painting thought,which makes Wang Wei's aesthetic process have the characteristics of stages.Wang Wei's point of view of the connection between poetry and painting laid down his influence on the poetry school of verve and literati painting in later generations:One is the impact on literary theory and poetry creation.Wang Wei's poetic style formed by Zen's“Kongguan”(??)had a certain impact on the formation of“Not a word,the full meaning of the show”in literary theory,the emergence of Wang Chuanshan's“Xianliang”(??)view and the emphasis on verve.Subjective emotions dominate objective scenes,and object image is the externalization of verve conception.The second is the influence on painting theory and painting creation.The combination of Wang Wei's“Guanhua”(??)and Zen“Kongguan”(??)painting ideas has inspired the literati painter's only“One corner”,the method of instantaneously framing,and the concept of the form and spirit that has both form and spirit,and Focus on expressive concepts.