A Study On The Reception Of Wang An-shi’s Articles

Wang An-shi is a famous prime minister of Northern Song Dynasty.In politics,His courageous implementation of the new law has led to a mixture of notoriety and praise for nearly a millennium.In literature,he is one of "Eight Great Prose Masters of the Tang and Song Dynasties ",his literary talent has attracted attention.Due to the influence of political identity and new law,the reception and appreciation of Wang An-shi’s writings differ.On the basis of the previous studies and discussions,this paper combs the reception of Wang An-shi’s articles in the past dynasties with the help of literary materials and selected books of the past dynasties,in order to make up for the shortcomings of Wang’s reception studies.The introduction introduces the status quo,significance and value of the research on the topic of the thesis.By combing the status quo of the research on Wang An-shi’s articles and the status quo of the research on the theory of articles,the author finds that,there is still room for a systematic and comprehensive study of the reception of Wang An-shi’s articles.The text is divided into five chapters:The first chapter gives an overview of the acceptance of Wang An-shi’s articles in the past dynasties,combing the historical context of acceptance in the order of Song,Jin,Yuan,Ming and Qing Dynasties.In the whole history of reception,after the period of Gaozong of Song dynasty,the reception of Wang An-shi’s articles began to be difficult to get rid of the influence of political and academic negative evaluation,but on the whole,the status of Wang An-shi’s articles was recognized.The second chapter explains the reception of the origin of Wang An-shi’s writings,first,the origin of the classics,Wang An-shi’s articles from the classics known to all,but under the influence of political identity,the posterity’s reception of his ideas on the classics is mixed;The second is the literary origin.Wang An-shi mainly studied on the LUNZAN of Records of the Historian,Yang Xiong and Han Yu,at the same time,the later generations also paid attention to the relationship between these three creative origins.The third chapter mainly discusses the reception of Wang An-shi’s parallel style,Epitaph style and record style.The reception of the parallel style by the later generations mainly includes: The origin of creation,the style characteristic and theartistic technique,the influence and the reception;The acceptance of epitaphs includes three aspects: the origin of creation,the artistic features,and the writing style of Records of the Historian and Han History.The acceptance of writing style includes two aspects: respecting style in theory and breaking style to record in concrete creation.The fourth chapter discusses the reception of Wang An-shi’s writing style from the perspective of the reception of "Eight Great Prose Masters of the Tang and Song Dynasties ".On the basis of this,the author summarizes the reception of Wang An-shi’s three unique writing styles: simple and elegant,Zigzag and steep,thin and strong,and these three styles are similar: the language is concise,which makes the style simple and vigorous;the sentence is zigzagged,make the article thin and strong.The fifth chapter mainly selects thirty-four ancient literary selection from the Song,Ming and Qing Dynasties.The author counts the number of "Eight Great Prose Masters of the Tang and Song Dynasties " articles selected by different periods and summarizes the changes in the status of the articles written by the eight individuals,the main concern is the inclusion of Wang An-shi articles,statistics in the status of the eight changes.Finally,the author draws a conclusion that reading the biography of Meng Chang Jun is the most concerned article in the past dynasties,and carding the canonization of this article.