On The Sadness Consciousness In Chi Zijian's Novel Creation

Chi Zijian is a highly charming writer in contemporary Chinese literary circles.Her works are always filled with the overall aesthetic tendency of "tragedy as beauty",forming a unique artistic core.On the basis of existing research,this article attempts to analyze the "world of sadness" in Chi Zijian's works from a multi-angle,multi-layered and omnidirectional perspective based on the consciousness of sadness in Chi Zijian's novel creation.The introduction part defines the concept of "sadness consciousness".On the basis of explaining the background of the topic,this chapter summarizes the current research status of the topic,and explains the theoretical basis,research value and methods of this thesis.The first part is "the source of sadness: the cause of sadness consciousness".This chapter attempts to start with Chi Zijian 's growth environment and unique circumstances in life,and combines the author 's own creative experience to explore Chi Zijian 's creation from four aspects: “environmental factors”,“emotional factors”,“social factors”,and “cultural factors”.The cause of sadness consciousness in China.The second part is "The Significance of Sadness and Compassion: The Textual Connotation of Sadness Consciousness".This chapter explores the connotation of the sadness of Chi Zijian's novels by analyzing the text in detail,and divides it into three categories: the sorrow of the crisis of survival,the sorrow of the spiritual dilemma,and the sorrow of the nation 's history.The literary space presents the profound connotation of Chi Zijian's sad slang.The third part is "Sorrowful Image: Sadness Consciousness and Image Selection".This chapter takes the representative images in Chi Zijian's works as the research object,and discusses how the author presents a unique sense of sadness with the help of numerous images in his works.According to the affiliation of the image itself,it is classified in three aspects,that is,the natural image,the animal image,and the myth image.Ten images are selected from these three categories for analysis.The fourth part,"The Beauty of Sorrow: The Consciousness of Sorrow from a Comparative Perspective".In this chapter,first of all,the beauty of "things mourning" is used as an entry point,and Chi Zijian and Kawabata Yasunari and Yu Dafu's creations are compared respectively.Through the agreement between each other's tragic aesthetic pursuit,from "the sadness of the mourning",The three aspects of "the sad mood" and "the cultural origin of the mourning" summed up the cultural origin that produced this kind of fit.Secondly,from the perspective of Chi Zijian's inheritance of the aesthetic essence of "Dream of Red Mansions",from the three aspects of "Dai Yu's Burial Flower" style of artistic conception,"Red Mansion's" narrative naming,and "dual and virtual contrast" double lines,analyze Chi Zi Jian inherited and developed the aesthetics of Chinese classical literature.The fifth part,"Compassion: Comprehension of the value of compassion".This chapter focuses on the value expression,realistic significance and limitation of sadness consciousness in Chi Zijian's novels.First,talk about the literary value of its sorrow consciousness from the aspect of "calling for the return to authenticity in this world's care and spiritual care";talk about its cultural value of the sorrow consciousness from the "continuation of regional culture and the sublation of traditional culture";In terms of "deep attention to the destination of the individual's soul",the practical significance of its tragic consciousness is discussed.Second,Chi Zijian's tragic consciousness limits were discussed in terms of "the shortcomings of simplification and idealization of contradiction handling" and "the tendency of stylization and simplification of the narrative model".