Research On The Relationship Between Chi Zijian’s Literary Creation And Music

This paper takes Chi Zijian’s literary creation as the research object,and takes the commonality of literature and music,that is,lyricism,art of the same time,hearing and other characteristics as the theoretical background.Based on the style characteristics of Chi Zijian’s works,this paper makes an in-depth interpretation of the Chinese local cultural context embodied by the combination of Chi Zijian’s literary creation and music.This shows the value and significance of his unique literary style in the history of contemporary literature,reflects the inheritance and continuation of Chi Zijian’s literary works to the concept of Chinese traditional art,and injects new thinking into the integration and interworking of the two art categories of music and literature.Therefore,this paper consists of five chapters to discuss the relationship between Chi Zijian’s literary creation and music in turn.The first chapter mainly combs the influence of Chi Zijian’s growth environment on her,focusing on the natural environment in Northeast China and the ghost stories told by the elders,which can also affect Chi Zijian’s "hearing".Chi Zijian’s imagination and "hearing" acuity also benefited from this,and her affinity with Western classical music also benefited from her father Chi Zefeng’s violin influence,which left precious wealth for the adult Chi Zijian.The second chapter then focuses on the "hearing" of ancient Chinese theory,specifically combined with Chi Zijian’s novels,goes deep into the impact of "sound" on people’s hearing,sensory and mental changes under the changes of the times,and emphasizes the importance of grasping the rights of hearing subjects.Taking "hearing" as the central point of this chapter can not only reflect the close relationship between Chi Zijian’s literary creation and the "sense of things" in ancient literary theory,but also show Chi Zijian’s listening to the voice of the world.The third chapter takes the relationship between "hearing and material feeling" in ancient literary theory as the theoretical basis,and explains that "material feeling" is an important channel to connect painting and music in Chinese classical music theory.Combined with Chi Zijian’s concept of "human / material" integration in his literary creation,this paper discusses that Chi Zijian’s literary creation contains the aesthetic characteristics of Chinese classical music.The fourth chapter further discusses the coincidence between Chinese traditional music culture and "secular daily" in Chi Zijian’s literary creation.This chapter focuses on the "secular daily" and emphasizes the connection between the "daily aesthetics" characteristics of Chi Zijian’s literary creation and Chinese traditional music culture.Gradually expand the discussion that music is a family custom of ethnic minorities,a personal situation in history,and an art prepared by everyone.Highlight the significance of music itself and show the appreciation of both refined and popular music.The fifth chapter focuses on Chi Zijian’s absorption of Western classical music theory and its concrete embodiment in his works.This chapter mainly takes the principle of musical form structure as the core,and deeply interprets the integration of novel narrative structure and musical form based on the content of Chi Zijian’s literary creation.Focusing on the discussion of three types of short,medium and long novels by Chi Zijian,this paper highlights the reference of novel narration to music,shows the relationship between time,music and literature,and provides thinking for the communication and integration among art categories.