The Preservation And Changes Of Wang Yunzhang’s Ancient Poems And Articles

The Chinese society in the late Qing Dynasty and the early Republic of China was unpredictable,and the relationship between new and old,China and the West became the subject of the times.In the face of this subject,Wang Yunzhang tried to adopt a moderate and improved way to reconcile China and the West.Under the guidance of this concept,Wang Yunzhang’s classical poetry creation not only meets the requirements of traditional aesthetics,but also has a strong characteristic of the times.Therefore,this paper chooses’keeping ’ and ’ changing ’ as the incision to observe Wang Yunzhang,combined with the newly discovered and sorted works of Wang Yunzhang,discusses in detail the traditional value and new changing characteristics of Wang Yunzhang ’s poems,and on this basis,reflects on the trend and way out of ancient Chinese literature in modern times.The full text is divided into three chapters,the basic content is as follows.The first chapter makes an overall analysis of the concepts of ’ keeping ’ and’change ’ and Wang Yunzhang ’s view of keeping and changing.First of all,combined with Wang Yunzhang ’s life background,this paper discusses the specific reasons for the formation of his literary conservative view:objectively,it is the educational and cultural background of both Chinese and Western learning,and poverty and disease make it easier for him to make compromises;subjectively,its national patriotism and negative mentality.Secondly,it analyzes Wang Yunzhang ’s view of literary conservation and change.On the whole,it is a practical view of literature that combines conservation and change.The subdivision is the combination of literary and white language in the language category,and the Chinese body and Western use in the cultural category.Finally,under the guidance of this practical view of literature,Wang Yunzhang faced several important conservative choices before and after the May Fourth Movement,namely,the compromise and failure of the ’ Novel Monthly ’ to seek new ideas,the incomplete innovation after joining the XinNanShe,and the efforts to preserve the quintessence of the Chinese nation after joining the education.This shows Wang Yunzhang’s complex attitude of keeping and changing,mainly keeping and changing according to time,and lays the background foundation for the following text analysis.The second chapter analyzes the preservation and change of Wang Yunzhang ’s poetry.Wang Yunzhang not only has traditional poetry creation,but also intends to use new poetry forms and contents to satirize the society,showing a trend of both tradition and innovation in the field of poetry.The first section explains Wang Yunzhang’s poetry,and analyzes Wang Yunzhang ’s poetry at different stages from the four community organizations of Nanshe,Chenfenglu and Songshe,Ogshe,and ’Guoyi ’ magazine series.The second section analyzes Wang Yunzhang ’s old-style poetry creation concept and characteristics.He studied both Tang poetry and Song poetry,and intentionally commented on the poems of the ladies.From this,three poetic theories were obtained:attaching importance to sustenance and love;emphasize the charm and spirit;the main evaluation criteria are ’ Qingxiu ’ and ’Yingqu ’.Wang Yunzhang ’s old-style poetry creation is mainly to keep.The overall style of his poetry is mourning,and the poetry is weak,reflecting the sadness background of the times.However,due to the small stock,no obvious personal style has been formed.The third section discusses Wang Yunzhang ’s innovative attempt in poetry.The first section analyzes Wang Yunzhang ’s new poetry creation,and points out that this kind of poetry mainly serves him to judge satirical social phenomena,and develops towards vulgarity and simplification in content structure.The second section analyzes Wang Yunzhang ’s Zhuzhi Ci creation,which describes the extraterritorial scenery and customs in content,expresses the situation of domestic war,and has the value of historical materials.At the same time,Wang Yunzhang carried out the literati transformation of Zhuzhi Ci,the combination of elegance and vulgarity,and achieved high artistic value.Finally,it is pointed out that the creation of Wang Yunzhang ’s Zhuzhi Ci and new poetry is essentially the application of traditional poetry teaching,and has the banner of making up for the world.Therefore,from the starting point,Wang Yunzhang ’s " change " is only on the basis of" keeping." Making adjustments to meet the needs of the times does not mean challenging classical culture.The third chapter analyzes the old and new combination of Wang Yunzhang ’s ancient prose.Adhering to the view of combining change,Wang Yunzhang has carried out adaptive transformation of some ancient prose styles,especially essays,miscellaneous notes and other styles that are more closely related to the times.The whole shows a combination of old and new,tends to be simple.Wang Yunzhang’s ancient prose style is complicated,rich in content,and difficult to subdivide.Therefore,this chapter divides Wang Yunzhang ’s articles into three categories and analyzes them in turn.The first category is Fu,which not only inherits the tradition of Han Fu,but also imitates Ouyang Xiu and Su Shi ’s Wen Fu,which is mainly based on discussion.They have different characteristics and can well reflect Wang Yunzhang ’s classical literary skills.The second category is newspaper argumentation.His article focuses on social reality,criticizes the current situation and war,has a strong sense of the times in content,and puts the perspective of comments on the world.Patriotic salvation became the theme of the argument.In the form of discourse,it is mainly manifested in the weakening of space,the simplification of discourse content and the simplification of logical structure.At the same time,the integration of classical Chinese and vernacular forms a new language landscape.Finally,under the guidance of traditional Confucian thinking,Wang Yunzhang ’s newspaper theory is good at using allusions,and often returns to tradition in theory.The third category divides the articles except the first two categories into the essay category.Wang Yunzhang ’s miscellanies are rich and varied in content,integrating discussion,narration and poetry,with elegant and elegant language.It basically follows the mode and language of traditional essay writing,and pursues the ’ Yiyun ’ and ’ Yiqu ’ in traditional aesthetics,which has a strong retro meaning.The new change lies in the intentional comparison between China and the West,calling for the development of national essence;at the same time,the thought of’ seclusion ’ embodied in landscape travel notes is further utilitarian and formalized.