A Study Of Acceptance Of SINKING Written By Yu Dafu

Yu Dafu's sinking,as a work with unique features,has a special position in the history of modern Chinese literature.As soon as the novel was published,it immediately aroused great controversy.It has been a long river of accepting history for nearly a century.Although there are numerous papers on the study of "downfall",the study on the acceptance history of this work is still blank.A large number of acceptance facts show that a controversial work must contain complex and diverse value connotation and meaning direction.In view of the typicality and uniqueness of Yu Dafu's acceptance of the novel sink,this paper will take the author,works,ordinary readers,professional researchers and writers of literary history into the scope of the acceptance of sink from the three dimensions of acceptance effect,academic dispute and literary history review,and try to clarify the special phenomena and huge disputes in the diachronic acceptance of sink The related evolution of spiritual ecology and social value identification.This paper is divided into the following three parts:The first chapter takes the ordinary readers as the research object,aiming to show the acceptance response and significance of "sinking" to the ordinary readers.It has certain practical significance to actively respond to "literary life" put forward by Wen Rumin and "external research" of literature by Hong Zicheng.The first section of this chapter goes back to the historical scene,through the generation process,publishing situation and reading effect of "downfall",to investigate the symbolic event of "YUDAFU fever" in the early stage of new literature,and to explore the historical possibility behind this seemingly accidental literary acceptance event.The second section,starting from the relationship between the receiving environment and the receiving subject,aims to analyze the universal reading expectation and aesthetic preference formed by the stipulation of political and cultural psychology in the era when "literary politicization" has become the mark for ordinary readers,and try to approach the reality of the transformation of "sinking" from "hot" to "cold" acceptance.The third sectionfocuses on the current acceptance of sink.Through effective charts and survey data,it clearly reveals the current acceptance of sink,and analyzes the causes of the acceptance of sink from the three aspects of acceptance background,audience reading needs and acceptance media.The second chapter takes the critics and researchers as the research object,and studies the differences of acceptance and the three hot points of interpretation.For a long time,critics have been arguing about the sex writing,writing style and character image of the fallen.This chapter will focus on these three controversial points to explore the acceptance of the fallen by critics.The first section points out that,because of breaking the embarrassing situation of sexual desire writing collective "Aphasia" in the first place,the "fall" leads to the discussion of right and wrong "morality",which constitutes the earliest divergence of critics.How are critics involved?What kind of moral stand has been expressed? What is the effect? It will be the focus of this section.In the second section,the author explores the reasons for the controversy of Yu Dafu's writing style from the perspective of the object and the subject,and tries to clarify the reality of Yu Dafu's writing style in the analysis.The third section starts from the "Youth" discourse,and studies the acceptance differences of the image of the "odd" from a new perspective.Since modern times,the society has been committed to establishing the ideal image of youth,such as "New Youth","Anti Japanese youth","revolutionary youth" and "new socialist" image.Yu Dafu's "the odd" is also a kind of youth image,but it has been misunderstood for a long time,which is closely related to the utilitarianism of the social role of "Youth".In the new era,the society gradually reduces and dispels the role expectation of the "Youth" image,which provides an important opportunity for critics to get rid of the political criticism and vulgar sociological mode,and turn to pay attention to the psychological space and subjective experience of the "odd".In the third chapter,the author of literary history is taken as the research object to study the position and influence of the fall in literary history.In the past few decades,the writers of literary history have published many literary history works under the influence of the background of the times and ideology.The narrative position behind them has become the acceptance and certification of "sinking" in the literary history,and reflects the basic trend of the novel's valueand influence.In the first section,according to the time sequence,with the important historical events and political nodes as the reference,the author combs the acceptance of the literary history of the fallen,in order to reveal the changes of the image and status of the literary history of the fallen,and to highlight the unique value and significance of the novel.On the basis of the first section,the second and third sections find problems and discuss them.The second section analyzes the "constant" and "change" of the ideological significance of the novel "sinking" in different historical periods through the acceptance of the writers of literary history.The third section starts with the important factor of "body speech",which is contained in "sinking",and re examines the "oppressed value" of "sinking" formed around the key word "body speech",in order to obtain a complete understanding of the significance of the literary history of "sinking",and to provide some new inspiration and ideas for future research.