A Study On The Acceptance Of Yang Shen's Poetics In Qing Dynasty

In the middle and later period of Ming Dynasty,Yang shen was famous for his outstanding talents.With his profound knowledge,Yang Shen created a rigorous poetic system.This system of poetics theory was not only unique and independent in the literary world,but also had a far-reaching influence on the development of later poetics theory.To be fair,Yang Shen's poetics theory has some inheritance and reference for predecessors,but it is more of his own insights on poetics,such as analyzing "the history of poetry" from the perspective of style,rectifying the empty style of study with erudite knowledge,learning from the early Tang Dynasty to correct the anachronism of Retro simulation tracing the origin of literary works,and treating "Li Du" differently from the perspective of internal laws of literature,all of these ideas are of great significance to the development of later poetics.From the Ming Dynasty to the Qing Dynasty,the theory of poetry took a significant turn.In the face of all kinds of previous poetics theories,the Qing people with strong Orthodox feudal consciousness combined their own practical spirit with eclectic dialectics to integrate and perfect their predecessors.People of insight hold their hands and look at the world with both eyes.They strongly appeal to literature to criticize the reality and apply it to the world,hoping that literature will be beneficial to the world.On the basis of inheriting the excellent poetics of predecessors,they put forward the poetics viewpoint of mending the biases and saving the disadvantages in view of the current situation of the literary world,among which the influential persons are rich and modest,Ye Xie,Shen Deqian,etc.We can find that they are influenced by yang Shen's Poetics in different degrees.During the Ming and Qing Dynasties,Qian Qianyi,in response to Yang Shen,traced the origin of poetry back to the book of songs,and believed that poetry of all dynasties was born in an endless stream with new and new phases.When he wrote "Qian Zhu Du Shi",he only referred to Yang Shen's comments in the Ming dynasty,which showed that Qian accepted Yang Shen's poetics.At the beginning of the Qingdynasty,Ye Xie inherited Yang Shen's thought of "harmony and broad agreement",and derived the theory of "branches and leaves" from Yang Shen's metaphor of "flowers and fruits".He taught that people should first learn "three hundred chapters",and then learn about each dynasty,integrate each generation,and leave behind the dead to make poems for thousands of years.In the middle of Qing Dynasty,after Li Dongyang and Yang Shen,Ye Xie's disciples,de Qian,focused on the style of poetry and developed the style school into one of the four poetry schools in Qing Dynasty.Under the guidance of gentle and honest thought,Shen Deqian looks back on elegance,advocates the use of Bixing techniques to make poetry subtle and implicit,and relay Yang Shen.He traces the source of rhythm poetry back to Xie Lingyun and Shen Yue in the period of Liang and Chen.In addition,Yang Shen is involved in the general catalogue of siku Quanshu.In the book,it can be seen that the general catalogue of Siku Quanshu attaches great importance to Yang Shen's poetics.As a fellow of Yang Shen,Li Diaoyuan,intends to follow Yang Shen in thought and creation and gets the evaluation of absolutely like Yang Yongxiu.This paper shows Li Diaoyuan s acceptance of Yang Shen's poetics from three aspects: essence,creation and appreclation.