Yang Shen And Poetics In The Middle And Late Ming Dynasty

Yang Shen is famous for his erudition between Zhengde and Jiajing.His poetic ideas can also be seen in his erudition and thoughtfulness.When the Qianqizi were reviving the ancients,he set up a banner and advocated tracing back to the origin of poetry in the early Tang Dynasty and the Six Dynasties.Yang Shen's poems stress emotion,emphasize implication and implication,and oppose excessive narration.He also pays attention to scholarship and interprets poems by textual research.Whether it is the understanding of the essence of poetry,the choice of teaching objects,or the way to understand poetry,Yang Shen has an important impact on the later poetry world.Therefore,this article from the late Ming Dynasty to Yang Shen's poetry focus on four aspects of acceptance,to explain Yang Shen's poetry content and declare Yang Shen's poetry influence publicly.The paper is divided into four chapters,the main contents are as follows:Introduction: This paper summarizes the origin,research status,research methods and significance of the study.The first chapter discusses Yang Shen's poetry in the Six Dynasties and the Early Tang Dynasty and its influence on the poetry circle in the middle and late Ming Dynasty.The first section analyses Yang Shen's theory and practice of poetry in the Six Dynasties and the Early Tang Dynasty.The second section talks about the influence of Yang Shen's poetics from the acceptance of poetry in the early Tang and Six Dynasties by the Beijing,Yunnan and Nanjing poetry circles.The second chapter discusses Yang Shen's textual criticism and its influence on the poetry of the middle and late Ming Dynasty.The first section clarifies the core content of Yang Shen's textual criticism.The second section focuses on the acceptance of Yang Shen's textual criticism by Chen Yaowen,Wang Shizhen and Hu Yinglin,demonstrating the stimulation of Yang Shen's textual criticism to Ming Dynasty's poetry.The third chapter discusses Yang Shen's theory of empathy poetry and its influence on poetry in the middle and late Ming Dynasty.The first section firstly elaborates Yang Shen's theory of "empathy" and on this basis,analyses Yang Shen's theory of empathy and the expression of empathy in his poetry creation.The second section studies Yang Shen's enlightenment on Li Zhi's "theory of childlike innocence" and Jiao Hong's "theory of spirituality",aiming at demonstrating Yang Shen's influence on his poetic theory of sentiment.Chapter four discusses Yang Shen's theory of "poem-history " and its influence on poetry in the middle and late Ming Dynasty.The first section explores the poetic connotation of Yang Shen's debate on "poem-history" on the basis of sorting out the change and development of the concept of "poem-history" before the Ming Dynasty.The second section explains the influence of Yang Shen's theory of "poem-history" from Xu Xueyi and Wang Fuzhi's acceptance and expansion.Concluding remarks: This paper summarizes Yang Shen's poetic theory from three perspectives: poetry and emotion,poetry and learning,and poetry and history.Besides,introduce the acceptance of Yang Shen's poetics in Qing Dynasty.