Research On The Creation Of Chinese Traditional Festival Documentary

Chinese traditional festivals are the outstanding representatives of China's outstanding traditional culture,and are the cultural treasures with the richest cultural connotation,national characteristics and extensive influence in China's extremely rich intangible cultural heritage treasure house.The report of the 19 th National Congress of the Communist Party of China pointed out that without a high degree of cultural self-confidence and cultural prosperity,there would be no great rejuvenation of the Chinese nation.Culture is not only the blood of the nation,but also the spiritual home of the people.The blood is an important guarantee for maintaining the life of the organism,and the spiritual home is the blood supply system for the spirit.With the development of globalization,exchanges between countries are becoming increasingly frequent.Culture,as an important source of national cohesion and creativity,has already become an important factor in the competition of comprehensive national strength.Traditional festival culture plays an important role in Chinese culture.Carrying forward and inheriting traditional festival culture is an important way to enrich the spiritual and cultural life of our people and improve the soft power of the country's culture.Since the beginning of the new century,the infiltration of the "foreign festivals" is both an opportunity and a challenge.In order to promote the development of traditional Chinese festivals,the country has issued a series of related policies.How to inherit and promote traditional festival culture has become an indispensable research topic for modern people.This article mainly studies the creation of traditional festival documentaries from six aspects.The first part sorts out the development context of Chinese traditional festival documentaries,especially the representative works of several traditional festival subjects that are typical and influential in recent years.Through the analysis of the content of the documentary,it summarizes the problems in its current creation.The second part mainly discusses the cultural value and social value of Chinese traditional festival documentaries.The cultural value is mainly reflected in the philosophical thought of theunity of heaven and man,the national spirit of self-cultivation,family harmony,and governance,and the lover in ancient culture.virtue.Social values are mainly reflected in helping people understand traditional culture,build cultural self-confidence,help people establish a correct cultural outlook,and enhance the country's influence in the international community.The third part mainly discusses how to choose the theme of the traditional festival theme documentary creation.First of all,we must understand the traditional festival customs in the regional culture,analyze the epochal characteristics and historical changes of the traditional festivals,and then select the appropriate traditional festival theme and excavate.Expressive character stories,holiday stories.The fourth part mainly analyzes how to create narrative techniques in traditional festival documentaries.First,from the aspect of narrative structure construction,from the choice of characters,suspense creation,story-based narrative techniques and narrative structure.Secondly,in terms of narrative perspective,the analysis is conducted from the perspective of internal and external perspectives and omniscient perspective.Finally,the control of narrative rhythm is analyzed from the perspective of audiovisual language controlling external rhythms and character stories dominating internal rhythms.The fifth part mainly starts with the audiovisual art of traditional festival documentaries.First,it analyzes how the audiovisual art is constructed in traditional festival documentaries,including metaphors of colors,dialect features,compositional beauty,delicate details,and holiday symbols.Use of five aspects.The last part is a diversified creative approach,including screen commentary,oral history,film and television materials,digital stunts,and analysis combined with intangible cultural heritage,and finally the use of new micro-documentary on traditional festival topics.