Study On The Genie Image Of Chinese Film In The New Century

In the process of creating home-made spectacle images under technical observation,there is a tradition of mythological narration from the early movies of martial arts and gods and genie,and promotion from the shock wave of the European and American Fantasy-like large film in the outside.How to carry on the modern new deduction about the genie 's cultural imagination in the method of films in the context of globalization in order to reveal the spiritual yearning and spiritual structure of modern people,becomes the proper meaning of new century Chinese film culture proposition.The integration of the genie and the film has gradually become a new phenomenon of film culture which has been a hot topic both in academia and industry.This gets the possibility and necessity for analyzing.Taking the image of the genie in the new century film as the starting point,this paper uses the combination of theoretical research and film case analysis to explore the orientation of the genie theme in the present Chinese and global film pattern.This article intends to establish a local cultural logic with classical and future,traditional and modern,providing some references for the benign development of Chinese film culture transformation,by the means of tracing back to the development of the image of the ancient genie and the gradual evolution of the image of the genie in the film,combing and arranging the main forms,types and characteristics of the genie in the new century movies in general,explaining the formation mechanism of the genie image mechanism from the perspective of culture,technology and aesthetic,excavating the permanent national cultural sign behind the genie image text and the expression of modern meaning and to explore the growth space and future direction of the genie image.