The Reclusive Feelings Of Literati

Ancient Chinese traditional art has various forms,and all kinds of art are interrelated,integrated and used for reference,so they complement each other and produce sparks of traditional art.Among them,literati painting and Qin,as the essence of visual art and auditory art,are deeply influenced by Confucianism,Taoism and Buddhism,forming homology in the long development of history.Therefore,the author initiated the research on the relationship between them.Scholars believe that both Qin and painting carry rich philosophical significance,and the implication and the image outside the painting are the inner pursuit of literati and literati.Qin became the exclusive instrument of literati,the spiritual haven of literati and an artistic language to express personal feelings.The objects of Qin excavated by archaeology provide the basis for us to study the development of Qin shape and structure.In history,there are also many theoretical works about Qin,which are preserved in the form of written records of Qin dao,Qin science,Qin history and Qin score.There are also a variety of artistic forms to express the Qin,among which there are tomb frescoes,brick and stone reliefs,terracotta figures and paintings of the Qin.The Qin painting is one of the well-preserved ones,which provides abundant image data for the later study of Qin.The development of ancient painting in the northern song dynasty began the emergence of literati painting,and became a newly independent painting system in opposition to the traditional Chinese painting and painting.The literati and literati class represented by Sushi began to explore new painting.Literati began to consciously regard Qin as "elegant instrument",as an important tool for self-cultivation.