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The Poetic Interests Of The Poets In The Yuan Dynasty

Posted on:2016-06-10Degree:MasterType:Thesis
Country:ChinaCandidate:W L ShiFull Text:PDF
GTID:2175330470978287Subject:Art
Abstract/Summary:PDF Full Text Request
This paper is divided into four chapters to explain to the germination of literati paintings, establish, development as the main line, based on image and all kinds of literature to discuss, "poem" and Chinese traditional literature parallel comparison, to explore the aesthetic generality of Chinese traditional painting and poetry, and the guiding significance of the creation of contemporary flower-and-bird paintings.The yuan dynasty as a important stage in the development of Chinese literati paintings plays a transitional role, which forms a connecting link between the preceding and the important foundation of later generations enjoyable flower-and-bird paintings look innovation stage,many literati for today’s flower and-bird painting creation provides many valuable theoretical basis and practical experience. The author will flower and-bird painting characteristics of this period as a poetic aesthetic orientation, from brushwork, ink presentation, style, painting outside chang god provide painting basis from several aspects, to find the poem language, rhythm, style, by the creation of poetry will and commonality.The first chapter mainly introduces the development of literati paintings of the yuan dynasty before context and the development of the yuan dynasty Ti Hua Shi context, which laid a foundation for the prosperity of the yuan dynasty literati paintings.The second chapter of zhao mengfu’s life, artistic achievement, unearthed literati paintings of the essence of the main literati feelings, and at that time the consciousness of scholar-officials in acting the literati.The third chapter from the creation of painting may think, brushwork, ink presentation, style, meaning all five aspects analyzes they judged the yuan flower-bird painting and poetry aesthetic, creation commonness.The fourth chapter is the author for Hui Shi creating confusion of literati paintings are inspired and essence of the inquiry about their goals and direction of future research.Discussed the relationship of poetry and historically there have been many experts and scholars to, this article more standing in painting creation from want to want to detail to the arrangement of the composition, design,ink perspective of the "poetic" "wen xin" to the importance of writing flower and-bird painting. Is the essence of traditional Chinese painting "freehand brushwork", but "enjoyable" the carrier is the "literati feelings" of the "poetic" understanding and refining of "object" performance.
Keywords/Search Tags:Literati paintings, The yuan dynasty flower-and-bird paintings, Literati feelings, poetic aesthetic, ink style
PDF Full Text Request
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