Study On The Decoration Of Carved Patterits On Bluish White Porcelain In Jingdezhen Of Song Dynasty From The Perspective Of Design

Scribing flower is one of the earliest ceramic decoration methods,and it is an art decoration technique that keeps progressing with the improvement of people's aesthetic consciousness.Before the ceramic decoration is dominated by color painting,it always plays an extremely important role in the stage of ceramic decoration.The art of sculpting flower in Song Dynasty has reached its peak,and the sculpture of blue and white porcelain in Jingdezhen has absorbed each other.The advantages of the kiln,together with its unique local advantages,form a popular portrayal of blue and white porcelain.Although the depiction of blue and white porcelain appeared before the development of design theory,the decoration itself is a purposeful design behavior.It is a unique product in the background of that era,containing the exquisite design of ceramic craftsmen.Design itself is the integration of science,technology and humanities,and the integration of social,economic and aesthetic behavior.Therefore,the design will inevitably be influenced by the political and economic background,cultural background,and technological materials.Firstly,this paper summarizes the concepts of design angle,decoration and celadon in Jingdezhen.Secondly,it summarizes the reasons for the fashion of celadon and white in Jingdezhen,and studies the relationship between design form and technology,design form and culture,design form and aesthetics.It explores the beauty of visual elements,content and form of decoration,abstraction and artistic conception.Its decorative effect and aesthetic law,in order to provide new vision and inspiration for modern ceramic decorative art.