Research On The Drama Of Zhuang Nationality Under The Vision Of "Drama Reform"

The Zhuang nationality drama is a kind of folk drama.Most of the current scholars focus on the two aspects of repertoire creation and artistic performance.Few people take a holistic view of the social level and the historical phenomenon of drama.In view of the important influence of the drama reform movement after the founding of New China on the construction and formation of the Zhuang nationality drama,few people have made a comprehensive analysis and overall research on the academic level.The purpose of this article has also occurred.This paper believes that under the care and support of the party and the country,the two opera reform movements after the founding of the People’s Republic of China have undergone significant changes in both the creation and the performance of the Zhuang nationality.In the new era,the Zhuang nationality drama was named as "Zhuang Shishi." ",is the result of this care.At the same time,in the context of two opera reforms,the Zhuang nationality drama has gradually formed two forms of government support,organization and spontaneous performance by the people.Among them,the former is characterized by mainstream ideology and performing art ontology;the latter presents entertainment and "ritual drama" characteristics.This phenomenon conforms to the ecological development of the opera,and constantly promotes the evolution of the Zhuang nationality’s public drama into modernization.Among them,the influence of the two opera reforms on the Zhuang nationality’s public drama after the founding of New China is enormous.This article is divided into four chapters to discuss.The first chapter analyzes the dramatic features and forms of the Zhuang nationality’s male drama before the founding of New China.It is divided into two sections:"The drama of Zhuang’s teacher activities" and "between ’the ritual drama’ and ’art drama’)."The historical process of the two" Drama Reforms" of the Zhuang Nationality’s Master Opera after the founding of the People’s Republic of China was sorted out,and it was divided into"The Zhuang Nationality’s Drama in the Early Stage of the Founding of New China" and "The Zhuang Nationality’s Drama in the New Period"The two sections are discussed.The third chapter analyzes the influence of the two ’drama reforms’ on the Zhuang nationality’s public drama after the founding of New China.It is divided into the formation of the’Zhuang nationality teacher’s drama formed by the party and the state’s support’."The ’civil spontaneous organization’ of the Zhuang nationality drama The two sections of Degradation and Perseverance are discussed.The fourth chapter is "Enlightenment and Reflection on the Influence of the Two "Traditional Reforms" Movement on the Zhuang Nationality’s Plays in the New China",which is divided into two parts:" Enlightenment:Constructing in Identity" and "Rethinking:Thinking about the Survival Form of Zhuang Minority Teachers’ Plays"Discussion.