A Study On The Ideological Background Of Gu Kaizhi’s Painting Yuntai Mountain

The concept of landscape has always been the focus of discussion and research by many scholars today.As early as the Eastern Jin Dynasty,there was a painting Yuntai Mountain,which was written by Gu Kaizhi as early as the Eastern Jin Dynasty.Although this painting may be a pre-painting "design draft",the painting contains a rich concept of early landscape.However,today’s aesthetic study of landscape focuses on the field of literati landscape painting determined from the five dynasties to the Song and Yuan dynasties,as well as the painting theory established by Zong Bing and Wang Wei in the Southern Dynasty and Song Dynasty.Therefore,the study of this paper hopes to be able to adopt the immortals in the Eastern Jin Dynasty.The thought of teaching,the trend of thought of metaphysics,the concept of "nature" developed into Laozhuang in the Eastern Jin Dynasty,and the analysis of the influence of the resulting literary trend.Combined with Gu Kaizhi’s record of painting Yuntai Mountain,this paper discusses the independent aesthetic concept of natural landscape in the early stage of landscape occurrence.Based on the above ideas,the first part of this article first makes a textual research on the text of "painting Yuntai Mountain" to determine whether it is in line with the characteristics of the Wei and Jin dynasties.Then it explains whether the Yuntai Mountain written in the painting is real or just the mountain in the concept.And the analysis of Gu Kaizhi,through the Eastern Jin Dynasty in which Gu Kaizhi was located in the social and ideological background,the status of friendship and the religious situation at that time,to expand the limited historical data about Gu Kaizhi’s records.It reflects some of the impact of the times on Gu Kaizhi’s concept.The second part returns to the text itself in the Book of painting Yuntai Mountain.Through the analysis of the metaphysical ideas of the Eastern Jin Dynasty,the immortal thought in Taoism and the fashion of traveling mountains and rivers developed by Lao Zhuang’s view of nature,as well as the literary situation at that time,This paper probes into the early concept of landscape produced by the rediscovery of nature in Wei and Jin dynasties.