On The Inspiration And Influence Of "Realistic View" In Painting Yuntai Mountain

Chinese traditional landscape painting has been developed for more than one thousand years,and its painting language and style have been developing and evolving due to the background of the Times.When I read through the earliest landscape painting on Painting Yuntai Mountain,I was deeply attracted and interested by the vivid expression of Gu Kaizhi’s “Realistic language”.But some scholars will also discuss that there is no “Realistic concept”and “Realistic Language”in Chinese landscape painting.After actual research and discussion,it can be found that the concepts of “Responding to the image of things”,“Describing the spirit in the form”and “Between likeness and unlikeness”mentioned by predecessors all reflect the existence and development of the“Realistic view”in the history of Chinese landscape painting,it is also a unique “Realistic view”in Chinese painting aesthetics.The unique “Realistic view”of Chinese landscape painting is different from the Western realism in all aspects and in the representation of things,that is to grasp the image characteristics of the objective landscape,the subjective soul of the aesthetic appeal of the two blend to create its unique art form and content,more emphasis on the spirit of realism,“Truth”expression.Therefore,the existence of Chinese landscape painting “Realistic View”? Due to the changes and development of the Times,what are the concrete manifestations and development of the realistic theory and “Realistic language”of Chinese landscape painting? How is it different from Western realism? How to develop and innovate the expression of “Realistic view”in landscape painting?Based on the above questions,the author will try to explore the development of realistic theory and the expressive techniques of “Realistic Language”in landscape painting from the following aspects,hoping to provide some theoretical basis for future artistic creation,it is expected to provide reference value for the related research in the future.First,based on the story of painting Yuntai Mountain,this paper analyzes the concrete expression of the realistic language in it,in order to try to interpret Gu Kaizhi’s “Realistic view”.Second,it combs the development of the realistic theory in the theory of landscape painting in past dynasties,thirdly,combining with the author’s own creation practice,it discusses the inspiration of the “Realistic view”to the author’s creation,further discussion reveals the application of realistic language in creation,and finally,a comprehensive exposition of the reflection on the creation of landscape painting with “Realistic View”,and the innovative development of the eye to look at the “Realistic view”in landscape painting in the specific expression.