Research On Narrative Strategy Of Cultural Heritage Documentary

With the continuous improvement of documentary creation consciousness and creative techniques,a large number of excellent cultural heritage documentaries represented by "The Great Masters" and "I am in the Forbidden City" have changed the audience's early boring stereotypes for Chinese documentaries.Impressions have provided new ideas for the development of documentary films in China,allowing viewers to consciously re-recognize the documentary media.Chinese documentary films have undergone a great degree of change in the process of marketization and meeting the aesthetics of the audience in the new era.They try to broaden the audience of documentaries in a narrative form that conforms to modern aesthetics and explore new ways of development.At the same time,along with the process of global integration,under the collision of Chinese and Western cultures,we want to make the audience aware of the importance of traditional culture on the one hand,and on the other hand,we are eager to let the world know a true and comprehensive China.At this time,the cultural heritage documentary is an effective carrier for Chinese culture to spread,and its importance has been paid more and more attention.Therefore,cultural heritage documentaries have been actively developed in such a large environment,and the narrative research of cultural heritage documentaries has become an important proposition.This paper uses the research methods such as literature research and case analysis to analyze and analyze the narrative strategy of cultural heritage documentaries,and divides the research into four parts.The first part classifies the narrative theme of the cultural heritage documentary,and then combines the graduation works to discuss the narrative theme expression.The second part focuses on narrative structure,narrative perspective,narrative rhythm,narrative space and other aspects,and carries out refined research.Through inductive integration,it summarizes the narrative construction methods of cultural heritage documentaries in the new era,and uses this as a theoretical basis to analyze its specific performance in the practice of graduation works.The third part studies the narrative techniques of cultural heritage documentaries and analyzes how long shots,close-ups,tones,and sounds are presented in the narrative of graduation works.The fourth part summarizes the narrative value of the cultural heritage documentary,explaining its cultural implication and emotional observation beyond the completion of the real record.