The Study Of Fuzhou Tea-Picking Opera' Aria

Fuzhou tea-picking opera is an art created by local farmers,which occupies an important position and significance in the people's life.It is produced in labor,nurtured and incubated in the wisdom of the people,and it is a mirror of the working people's living culture.On May 20,2006,tea-picking opera was approved by the State Council to be listed in the first batch of national intangible cultural heritage list,which testifies to the cultural charm and historical precipitation of tea-picking opera,and has practical significance for the spread,development and inheritance of tea-picking opera in Fuzhou.The introduction part mainly introduces and explains the purpose and significance,research methods,research status,research focus and difficulties of the article.The first chapter is an overview of Fuzhou Tea-picking Opera,which includes the general situation of human geography,development history and current situation of Fuzhou Tea-picking Opera.It comprehensively expounds the general situation of Fuzhou Tea-picking Opera from its development history,geography and humanities.The second chapter is "the study of the singing tune of Fuzhou Tea-picking Opera",mainly through summing up its existing characteristics,combining with the spectral examples to analyze one by one,in order to ensure the authenticity and objectivity of its characteristics.The author mainly starts from six aspects: first,the dialect characteristics of Fuzhou,which elaborates the differences between dialect and Putonghua,the phonological characteristics of dialect singing voice;second,the mode characteristics and rotation of Fuzhou tea picking opera;third,the types and characteristics of singing voice,mainly from two aspects of main tune band and miscellaneous tune minor;fourth,the structural stylistic characteristics of singing voice,mainly researching the style of board tune.Fifth,the singing characteristics of Fuzhou Tea Picking Opera,with Danjiao Er and Shengjiao Er as the main objects of analysis,concludes the universality of singing characteristics;sixth,the characteristics of band accompaniment,respectively,from Wenwuchang and Gong and drum scriptures to elaborate.This chapter is the focus of this article.Starting from the local dialect,the author will gradually analyze a series of elements such as melody,rhythm,lyrics,rhyme,accompaniment,structure and so on in the tea picking opera.The third chapter is a case study.The author chooses the selected paragraphs of Mao Hong Ji,Mama Wang scolds chickens and Peony Pavilion,which are representative works of Fuzhou Tea Picking Opera,as analysis cases,and demonstrates and exemplifies the content of the previous chapter,respectively,from the plot outline,the music analysis of aria selection and the performance analysis to dissect its artistic characteristics.In the conclusion and outlook,the author summarizes the development process of Fuzhou tea-picking opera,the irreplaceability of Fuzhou tea-picking opera by dialect,and the summary of its music form characteristics.In the review of the writing process,the author makes self-examination and summary of the problems,and puts forward his own views and opinions on the deficiencies and suggestions of Fuzhou tea-picking opera.Of course,with the hope of spreading and developing the culture of Fuzhou tea-picking opera,we should enrich the culture of Fuzhou tea-picking opera and carry forward the spirit of Fuzhou opera.