The Study Of Music Of Tea-leaf Picking Opera In Fuzhou

Content:This dissertation is mainly focus on "Music of Fuzhou Tea-leaf Picking Opera " which based on four different points of view: history, musical configuration, typical work and culture context.The current Studying situation, theory, practical meaning, key points, nodus and studying method of the topic would be given by the introduction.The first chapter is aim at tracing the source of Fuzhou Tea-leaf Picking Opera. It was orderly divided into three periods: molding period, developing period and modern period.In order to analyze and summarize the characters of the melody, The second chapter is looking deeply into the topic by using series of musical theories. The formulaic character of melody is concluded by the musical scale, pentatonic modes Tonality and melody. Configuration formulaic character is the normal stylebook and typical characteristic of Fuzhou Tea-leaf Picking Opera, and accompaniment formulaic character means the characteristic of common musical instrument and band weave. During the demonstrating of those formulaic characters, the dissertation enumerated large numbers of valuable composes and charts to insure the objectivity and authenticity of the demonstration.The third one is to introduce a piece of classical and traditional work of Fuzhou Tea-leaf Picking Opera with its name "Mao Hong Ji". Furthermore, by analyzing its melody, structure and mode to afford stronger supports to the conceptions mentioned in second chapter.In the fourth chapter, we set the Fuzhou Tea-leaf Picking into a culture context, and make a transverse comparison with other kind of arts under the same age, such as dialect, folks, zarzuela and other kinds of opera, to dig out its original relationship with other music and culture as well as the influence between the amalgamation of different kind of arts.The conclusion combed the whole issues and conformity the results of the topic, which paved the way for the following supplement.