Research On Acceptance Of Su Shi's Poetics By Poet Li Qixian In Goryeo Dynasty

As a great poet at the end of Goryeo Dynasty,Li Qixian created a large number of Chinese poems,which played an important role in Chinese literature of Goryeo Dynasty and even the whole Korea history.In addition,Li Qixian once resided in China for a long time,so that he could make more friends with Chinese scholars and exchange with these scholars about poetry composition and other literature creation.Li Qixian created excellent poems and promoted the cultural exchanges between China and Korea actually.However,there are few research on poetics of Li Qixian in academia at present.Therefore,this paper takes the poetics of Li Qixian as the research object and conducts a study of Li Qixian's acceptance and selection of Su Shi's poetics.Moreover,this paper aims to further understand the profound connotation of Li Qixian's poetics as well as the close connection between Li Qixian's poetics and Chinese poetics,and to explore the integrity of east Asian literature reflected in such an acceptance and selection and also the underlying cultural psychology of "harmony but difference".Li Qixian's acceptance and selection of Su Shi's poetics is demonstrated in three aspects of view of nature,theory of artistic conception,and theory of stylistics.From the view of nature,Li Qixian's acceptance and selection of Su Shi's poetics is reflected in their emphasis on the respect for nature in creation.Both of Yi and Su advocated the creation content should be "objective,realistic and profound" while the language should be "easy to understand",and no excessive sculpture should be allowed.At the same time,there is a differencebetween Li Qixian's idea of "naturalness" and Su Shi's idea of "innatism".Although "naturalness" and "inatism" both embody the idea of naturally creating poem,the idea of "naturalness" focuses on the poem itself and argues simple and successful expression and no excessive sculpture,while idea of "innatism" lays more emphasis on the poet itself and poses further requirements on the poet's"inspiration".In terms of artistic conception,both of them emphasized the homogeneity of poetry,calligraphy and painting and acknowledged "paintings of poetry and poetry in paintings" as a kind of praise to poetry and painting for the connotative artistic conception,accompanied by "creating a poem as the comment on a painting" or"providing a painting as the comment on a poem" Additionally,they also proposed the "praise to portraits of people" should reflect more the spirit and temperament than the figure and appearance.Besides,as regards landscape description,allegorical writing and history chanting,it was required that the limited characters should contain meaningful,profound and suggestive connotations to inspire the audiences.And from the aspect of theory of stylistics,both Yi and Su are famous for their bold and unrestrained styles of poetry.However,there are different details reflected in their stylistics.On the one hand,bold and unrestrained poems of Li Qixian express his bitterness and resentment over the reality.On the other hand,Su Shi's poems demonstrate his detachment and open-mindness,related to real life nevertheless.Moreover,poems of Su Shi integrate the thoughts of Confucianism and Taoism,namely holding himself aloof from the world and maintaining a high sense of responsibility for current politics,society,and the country.In the face of ups and downs,Su Shi did not blindly seek passive escape from the reality,but paid attention to the spiritual pursuit and the integration of himself into the nature.Actually,Li Qixian was inclined but failed to reach the level.The reason for his failure lies in their different social and historical backgrounds,philosophical thoughts and political status.