Research On The Construction Of Folk Ritualized Communication In Folk Documentaries

Documentary,as a carrier of artistic communication,undertakes the mission of cultural inheritance.In the transition period of the new era,human beings are facing dramatic changes in economic structure and ideology,so it is particularly important to find cultural identity and identity.To some extent,the artistic expression of folklore documentaries can satisfy people's psychological demands for social identity and emotional resonance.With the development of diversified creative styles and communication forms of folk documentaries,simple and mechanical lens recording can no longer satisfy the audiences' sensory pursuit and cultural needs.Only by excavating novel themes,rendering artistic film and television language,and presenting cultural details under folk rituals,can excellent works be produced,social identity of audiences be stimulated,and ceremonial communication effect be achieved.This paper is divided into five parts.The first part is the introduction,which elaborates the research background and significance of the article,combines the relevant images and documents of folk documentary,combs the research content and methods of this article,and points out its innovation.The second part summarizes the concept and characteristics,history and current situation of folk documentary,and the related theories of the concept of communication ceremony,and expounds the rationality of the creation of folk documentary under the perspective of communication ceremony.The third part,based on the concept of communication rituals,takes the documentary "Chinese New Year","Searching for the Lost Daughter's Day" and the personal work " Qiqiao Festival in Xihe" as samples to analyze the process of construction and strengthening of ritualized communication of folklore content in the creation of folklore documentaries,mainly including representation construction,element construction and identity construction,and elaborates personal works under the perspective of communication rituals.The rationality of " Qiqiao Festival in Xihe" 's creation.The fourthpart,based on the analysis of the preceding part and from the perspective of communication rituals,makes an in-depth discussion on the creation and reflection of " Qiqiao Festival in Xihe",including its representation,elements and identity construction,and reflects on its creative process,authenticity of content and standardization of form.The fifth part is the concluding part,which summarizes the content,problems and conclusions of this study,and describes the shortcomings of this paper,and prospects the future research in this field.Based on communication rituals and related theories,this paper takes sample documentaries as the research object,and analyses the strengthening and construction of ritualized communication of folklore matters by artistic expression of folklore documentaries.This is a powerful supplement to the empirical scholars of communication to study the shortcomings of such documentaries,and at the same time,it strengthens the new era vitality of the related theories of the concept of communication rituals,with a view to bringing new inspiration to the creation and dissemination of folk documentaries.