Research On The Creative Characteristics And Performing Processing Of Zhang Chao's Chinese Melody

Since the early 20 th century when piano instruments and their repertoire were initially popularized in modern Chinese society,the realization of the nationalization and localization of piano music creation has become the dream of several generations of Chinese piano musicians and a glorious banner standing against the wind and enduring in the contemporary music circle of China.When the baton of nationalization piano music along with the successful experience of the old artists into the hands of the contemporary young and middle-aged musician,the massive historical sense of mission inspired forge ahead of their creative enthusiasm,also has given rise to such as pile with melody first 20 in China so cleverly combines Chinese and western music creation technique and excellent piano art collection.With the success of the "Chinese melody publishing,Zhang Chao own creative practice,from two aspects: concepts and techniques to the Chinese piano music industry colleagues shows contemporary piano creation nationalization and localization of double connotations:first,should adopt a posture of ZhuanYiDuoShi,study hard for the Chinese national folk music creation techniques and artistic vocabulary,and organically integrated into the piano music creation,implementation of the western piano music the improvement and innovation of nationalization and localization of the theme and development;Secondly,it is hard to is hard to techniques and art language of Chinese national music with the same techniques of western music and music vocabulary docking of complete harmony and mutual infiltration between fusion,to match well of Chinese and western and ocean for convenient,can on the higher dimensions reveal the state of nationalization piano music creation in China and the weather.In view of the fact that zhangchao's Chinese melodies comprehensively interprets and verifies the connotation and requirements of Chinese nationalized piano music creation from the double aspects of concept and practice.Therefore,this paper chooses " Chinese melodies" as the research object,starting from the creation concept,creation techniques and performance skills,etc.,to conduct an in-depth exploration and analysis of this collection ofworks,in order to extract and conclude some essential laws of Chinese piano music nationalization and localization creation.This research is divided into the following six parts: the first part is the introduction,which introduces the significance of this topic,literature accumulation,research methods and other necessary information;The second part mainly presents zhangchao's music creation idea and artistic practice.In the third part,the author interprets and analyzes the creation techniques of the Chinese melodies from four perspectives,namely,the structure of the melody,the tonality of the melody,the development techniques of the melody,and the harmony texture.The fourth part will explore and analyze the performance skills of the Chinese melodies from three aspects: highlighting the national character of melody,paying attention to the level of harmonic texture,and grasping the structure and layout of the works.The fifth part,from the integration of tradition and modernity,national and global unification of these two perspectives,to conclude the " Chinese melodies" piano works reflected by the national piano music creation rules and requirements;The sixth part is the conclusion,which summarizes the whole thesis and summarizes the core arguments.