Research On Aesthetic Controversy Of Qin Song In Ming Dynasty

Ming Dynasty is the age of Chinese classical literature and art,and the ancient Qin art reached its climax in the Ming Dynasty.Ming Dynasty is also the most prosperous era of piano songs,Ming Dynasty Qin song output is the largest,related literature is the most,in the music art theory has also formed different theoretical schools.These theories have certain research value in many fields,such as the study of Guqin,the study of piano and song,and the research of aesthetics and so on.At present,the research on piano and song is more focused on the research of music art,and there is still some space in the research of aesthetic thought and art theory.There is such a phenomenon as the aesthetic theory of the Ming Dynasty piano music: there are obvious differences on whether the music art of the Ming Dynasty should have literature,that is,whether there should be a piano song or not.The Shangwen school advocates "to the orthodox text",holds that every piano song should be sung with lyrics,while goes to the literary school advocates "go to the text in order to save the kick" and thinks that the piano music should not have the existence of the lyrics.The controversy caused by this disagreement has almost crossed the whole Ming Dynasty,involving some diachronic and synchronic aesthetic issues,so this paper chooses the aesthetic debate of Qin and Song in Ming Dynasty as the research object.The Core of the Aesthetic controversy of Qin Song in Ming Dynasty is the theoretical difference of whether or not there is Qin Song.This involves the different views of the two factions of the school of culture and the monk of the school of culture.Therefore,this paper first analyzes the literature records,combs the performance of theoretical differences,understands the basic situation of the aesthetic debate in the Ming Dynasty,and then finds out the key issues of the controversy for in-depth analysis,and finds out the reasons for the controversy.Finally ponder the value of this aesthetic argument.The introduction introduces the background and significance of this paper systematically,and summarizes the research status of piano songs through the review of the relevant literature,and puts forward the research ideas and innovations of this paper.The first chapter of the text summarizes the situation of the aesthetic debate of the Ming Dynasty's piano songs,starts with the carding and analysis of the basic theoreticalmaterials and historical records,understands the basic situation of the aesthetic disputes of the Ming Dynasty's piano songs,and finds out the main problems and the controversy focus of the aesthetic disputes of the Ming Dynasty's piano songs.In order to know some of the key issues of the Ming Dynasty music aesthetic debate,to explore the original features of the Ming Dynasty music aesthetic debate.The second chapter studies the internal motive force of the Ming Dynasty music aesthetic debate.On the basis of combing the connotation of typical aesthetic cultural significance of piano songs,this paper studies the aesthetic characteristics of piano songs,compares the differences of aesthetic cultural meanings and aesthetic characteristics between piano songs and piano songs,and finally finds out the aesthetic differences between the two.The third chapter studies the factors of the Ming Dynasty music aesthetic debate.This paper probes into the influence of the unique cultural environment of the Ming Dynasty and the literary and artistic trend of thought on the aesthetic debate of the piano songs from two aspects: the new changes of the Qin songs under the literature and art trend of thought in the Ming Dynasty and the elegant and vulgar problems in the folk literature and art waves of the Ming Dynasty.The fourth chapter discusses the value of the Ming Dynasty piano song aesthetic argument,analyzes the aesthetic significance of the Ming Dynasty piano song aesthetic debate in the light of the basic situation of Guqin aesthetic theory,and investigates the development of the Ming Dynasty piano song,and probes into the historical influence of the Ming Dynasty piano song aesthetic argument.In order to further understand the complex meaning of this aesthetic debate.Music,as a kind of literature,records a large number of music works and aesthetic theory of piano songs,and it is a great guarantee for people to excavate piano songs.The records of piano songs are well preserved,so there is still hope and possibility of renaissance in the age of Guqin's gradual renaissance.Here,I hope this article can make a small contribution to some aspect of the ancient art of piano song.The restoration of the harp and song,as soon as the gentleman.