Revolutionary Horn-1946-1966the Fine Art Research Of The Region Of Heilongjiang

After the victory of the war of resistance against Japanese aggression in 1945,the principal contradiction in Chinese society changed from the national contradiction to the class contradiction."The struggle between the kuomintang and the communist party" was the main conflict in China during this period.At this time,as the major industrial base,energy and grain producing area in northeast China,its strategic position advantage was particularly prominent.After the victory of the war of resistance against Japanese aggression,the central committee of the communist party of China moved its political institutions,military organizations and cultural departments to the northeast to support the liberation war in the northeast.As the first liberated big city in China,Harbin accommodated many revolutionary institutions that had moved in during this period.At this time,heilongjiang region,as the "rear area",provided various supports for the northeast liberation war.Yan 'an luyi,dongbei daily and dongbei pictorial,which have art departments,also arrived in heilongjiang successively to carry out revolutionary art activities for the war of liberation and land reform.To include a large number of trained directly with the "MAO zedong's theory of literature and art" guidance,wide and profound with rich revolutionary art creation experience of revolutionary artist,their art works and to participate in art activities for 1946 to 1949,the heilongjiang province fine arts career contribution to the development of the important strength,the spirit of the connotation and art creation technique,constitutes the mainstream of heilongjiang province fine arts during this period.This paper is composed of six parts:The introduction gives an overview of the research significance,literature review,research ideas and methods as well as the specific concepts involved in this paper.The second chapter mainly studies the evolution of institutions,art activities and artistic works after the relocation of yan 'an luyi to heilongjiang province.Through to the production design team LuYi art ensemble work tasks as well as the analysis of the artists work in production design team,it is concluded that LuYi art creators in heilongjiang province is the main task of the combination of the liberation war and land reform reality to carry on the revolutionary activities and revolutionary art creation,While spreading revolutionary thoughts,the forms and creative techniques of these works of art with revolutionary traditions are also widely spread in this region.The third chapter takes "northeast daily" and "northeast pictorial" as the main research object.Based on the analysis of the newspaper's art activities and works published in the newspaper,this paper summarizes the content and achievements of the art creation based on the newspaper's platform during this period,sorts out the ideological origin and creation purpose of the revolutionary art works in heilongjiang during this period,and explores their influence on the art creation in heilongjiang.The fourth chapter focuses on the foreign and native artists who were active in heilongjiang during this period.Through the analysis of his identity,his educational background,the artistic works he created and the artistic activities he participated in during this period,this paper reveals the mainstream creative ideas of the fine arts in heilongjiang during this period and the factors of The Times that constitute this kind of creative style.The fifth chapter mainly analyzes and summarizes the fine arts achievements in heilongjiang during this period,and discusses its overall fine arts achievements,its influence on the development of fine arts in heilongjiang and the height of the development of fine arts in the whole country during the same period.The conclusion part summarizes the characteristics and influence of fine arts in heilongjiang from 1946 to 1949 as a whole,and concludes that the appearance of fine arts in heilongjiang during this period is a revolutionary fine arts creation period dominated by revolutionary thoughts.Under the influence of politics,a large number of artists came to support the liberation war and introduced the art works,creative techniques and revolutionary spirit of the yan 'an period into heilongjiang province.The produced art works agreed with the people's aesthetic standards and were widely spread with far-reaching influence.After the liberation of shenyang,these fine arts institutions and artists were evacuated one after another.In 1949,they were all evacuated from heilongjiang.As a result,the fine arts industry in heilongjiang province experienced a short and explosive boom between 1946 and 1949.