| In the early 20th century,under the impact and influence of the western painting education system and artistic concept,the Chinese painting circle in the transitional period set off a "western fever" art trend,with the emergence of the so-called"reformers" and "conservatives".As a traditional painting in China,Chinese painting is deeply rooted in the traditional national culture.It has a long history and an orderly inheritance.It bears the people’s ideological concept and aesthetic pursuit of emphasizing charm and seeking artistic conception.Under the background of this era,Huang Yecun,as a cloth dresser,devotes himself to painting,does not seek to hear and express,and comprehends traditional culture;gains benefits from many teachers,seeks to change in silence,demonstrates the value of life and aesthetic ideal by artistic practice,and reflects the development of traditional Chinese painting art in the new era.The development of any art is based on the uniqueness of the language of artistic expression.As the artistic language of Chinese painting,pen and ink pursue the essence of nature rather than tangible objects,and make the best use of the expressive function of pen and ink to explore the essence of art.However,under the influence of western artistic concepts,some Chinese painters weaken the unique expressive force of brush and ink language,hide the expression of the traditional cultural spirit of Chinese painting,resulting in the break between brush and ink language and traditional context of Chinese painting,and the development of Chinese painting appears a "pathological change" phenomenon.While Huang Yecun objectively treats the current situation,abides by the tradition and upholds the brush and ink language of Chinese painting,he also studies the western painting principles,reasonably borrows the western painting creation means,increases the "sense of scene" of Chinese painting creation,enriches the manifestations of Chinese landscape painting,and strives to inherit and develop it in the context of the new era.Carry forward the creative techniques and ideological connotation of Chinese painting.Huang Yecun spent his lifetime in solitude,working silently and publicizing nothing,and his persistent and meaningful painting life.Later,his career became obvious,and he became a legacy of modern Chinese painting.Starting from the painter’s case,this paper reviews and summarizes the artistic development process of inheritance,shape,heart and change in Huang Yecun’s painting creation in the past 70 years through combing his artistic life,painting creation and artistic achievements.Then it makes a detailed and three-dimensional discussion on Huang Yecun’s painting concept,characteristics and artistic achievements,and expounds Huang Yecun’s art.The deep-seated reasons for the transformation are analyzed,and the beneficial thinking of its painting art on contemporary Chinese painting creation is provided.This paper makes a comprehensive study of Huang Yecun’s painting art from the perspectives of iconography,interview and documentation.It objectively evaluates his achievements in the development of Chinese painting art,and makes a rational analysis of his painting art in order to show the excellent traditional cultural spirit contained in Huang Yecun’s painting art. |