Research On The Image Of Monsters In Current Film And Television Works

At the moment,the images of monsters have been readapted repeatedly.With the commercial packaging and a variety of other new-media tools,the stories of monster have been adapted into network literature,film and television works,online games and mobile games.The stories of monster,with the new outlook,have been spread among the audiences.The film and television works,which has used the images of monsters as the leading role,are popular and sought after by the audiences.The monsters has occupied our leisure life,with a lot of publicity of the film and television works.This article takes the image of the monster in the current film and television works as the research point,and adopts the theory of accepting aesthetics,aesthetic expectation,cultural inheritance,communication,and violent aesthetics to research it.This article will analyze the past and present life of the monster image in today's film and television works,explore the characteristics of the monster image,explore the reasons for the prevalence of the monster image,analyze the audience acceptance psychology,and explore the advantages and disadvantages of the monster image communication in the current film and television works.This paper is divided into five chapters,as follows.The first chapter discusses the classification of monster images in current film and television works.This chapter is divided into three parts.The first part introduces the current situation of the monster image in the current film and television works.First of all,to study the image of the monster on the screen,we must understand the scope of the monster.The second part analyzes the changes of the monster category by combing the evolution of domestic and foreign monsters.The third part discusses the classification of monster images in current film and television works.The image of the monster in the current film and television works is subdivided by the source of the monster.The first is the native monster.This part compares the monster image in the film and television works with the monster image in the ancient mysterious literature.Native monsters reflect the inheritance of culture.The second is the foreign monster.This part uses the theory of "cultural discount" to analyze the psychology of foreign monsters have been sought after by domestic audiences.The third is the original monster.This part analyzes the curiosity of the audience from the theory of horizon of expectation.The second chapter discusses the characteristics of the monster image and the theme of the image in the current film and television works.This chapter is divided into two parts.The first part divides the characteristics of the monster image in the current film and television works into four major characteristics:will lead to scourge,rich in human feelings,discriminate between love and hate,and knowledgeable.In this part,the author lookes for the corresponding description from literature classics or folklore to prove the inheritance of this feature.The author compares with the previous monster image to highlight the adaptation of film and television works.And all have analyzed the corresponding audience acceptance psychology.The second part discusses the theme of the monster image and the acceptance of the audience.This part divides the theme of the current monster theme film and television works into resignation,hero,returning to the right path and love.Each theme is compared with the corresponding content of ancient literature or folk stories.This chapter also analyzed the audience's acceptance psychology.The third chapter discusses the reasons for the prevalence of monster images in current film and television works,and researches audience acceptance.This chapter is divided into two parts.Combining with consumerism,the call structure of the text,the aesthetics of acceptance,and the analysis of social psychology,The first part analyzes the prevailing reasons from the four main reasons:high loyalty of the audience,driving by commercial interests,personalized interpretation of monster stories and driving by social and cultural psychology.The second part adopts the theory of accepting aesthetics,and analyzes the audience from the perspectives of satisfying the audience's expectation,catering to the audience's mainstream values and giving the audience aesthetic pleasure.Chapter four discusses the positive influence of monster image communication in current film and television works.The image of monsters in film and television works is a fusion of traditional culture,emerging media means and economy.Studying the image of monsters in current film and television works must inevitably explore the impact of its spread.The popularity of the monster image is bound to bring a series of positive effects.This chapter combines classic reading,communication studies,cultural inheritance and education,hero worship,film industry development,fan psychology and so on,in order to analyze the positive impact of broadening the channels of communication,promoting traditional culture,educating the audience,promoting the development of animated films,shaping hero worship,and promoting the improvement of the industrial chain.The five chapter discusses the negative influence of the image of monsters in current film and television works.The spread of monster images in current film and television works will inevitably bring some negative effects.This chapter combines the call structure of the text,the implicit readers,the classic dissolving and so on,and analyzes the three aspects:stimulating the audience's thinking,dispelling the classic image,and entertainment to death.The conclusion part summarizes the paper,reviews the research idea and design intention of the research idea.