The Mask Of Nuo Opera In Guizhou

Nuo,the initial form of activity is a particularly primitive kind of witchcraft.Its purpose is to seek welfare for Najib,drive evil spirits,and eliminate epidemics.It is a folk drama.The value of folk art carried by Nuo Opera can be traced back to thousands of years.It is a treasure in the folk culture of our country.Nuo culture is a very important part in the traditional folk culture of China.The whole process of Nuo culture is a concrete transformation--Nuo Yi.Nuo Dance.Nuo Opera.In this process of transformation,the original nature of the Nuo culture was pure religious sacrificial nature,and then folk art was added from this pure nature.The combination of the two has the present performance nature of the Nuo Opera.In the form of Nuo Opera,the main surface features of Nuo mask,the development of Nuo mask and the development of Nuo culture have a fundamental direct relationship.Nuo mask is also very distinctive in the entire Chinese folk culture.Scholars who study folk culture are all aware of the profound and profound nature of Chinese mask culture,and Guizhou Nuotang opera Nuo mask stands out in it.It is also a rare cultural wealth for Guizhou as a whole.The mask of nuo opera in Guizhou province is represented by the mask of Tujia nuotang opera in tongren area.The reason is that Nuotang Opera is subordinate to the geographical location and humanistic style.The Tujia Nuotang opera mask in Tongren area is a combination of Tujia ethnic minorities 'living environment,folk culture,and different aesthetic art characteristics and theatrical performances.The unique artistic and cultural connotation and local people of the Turen Tujia Nuotang Opera are the achievements of the artistic and cultural wisdom of Tujia ethnic minorities.The entire cultural background of this paper is first of all,with the entire distribution of Nuo culture as the background,the distribution of Nuo culture in Guizhou is introduced,and the distribution of Nuotang opera in the Tongren Tujia family in Guizhou is introduced.The origin and classification characteristics of them are respectively.The emphasis is on analyzing the development,classification,production process,form techniques,modeling characteristics,color meanings,connotation functions,and application of life of the mask of Nuotang Opera.With its variety of shapes,special classification,simple production process,and special form techniques,it is supplemented by multiple forms of techniques to decorate the mask-realistic,deformed,fictional myths,exaggerated terror,etc..Through the mask to explore the various cultural consciousness of the Nuotang opera--religious consciousness,original totem consciousness,and the consciousness of exorcism.In the end,the mask of the Tuotang opera of the Tongren Tujia in Guizhou Province was compared with that of the Bijie Taiji and Guizhou Anshun Dixi in Guizhou Province.This proves the characteristics of the mask of the Tuotang opera of the Tongren Tujia in Guizhou Province.Better understanding and more understanding of the folk culture of ethnic minority areas,Ethnic customs,religious patterns.In order to make the information more detailed,this article went to Guizhou minority communities to conduct field research at the beginning of the writing of the paper(Guizhou Zunyi Road Zhenwu Chuan,Tongren Dejiang Sinan,Bijie Weining,Guizhou Anshun),and completed the mask in various regions.Field investigations were followed by additional museum collection materials.Baidu,National library,monographs of literature,etc.carry out a wide range of comparative analysis,summed up the innovation points and artistic and cultural values of this article.So that more people and regions other than ethnic minorities can have a deeper and more understanding of Nuo Opera,so that through the thesis,they can contribute a little bit of power to the folk art of ethnic minorities,showcase our traditional Chinese folk culture and promote it to the world.