A Linguistic Study On The Works Of Contemporary Chinese Middle-aged And Young Female Oil Painters

In the past 100 years of Chinese oil painting,the male art has always been the mainstream art,and the identity of female oil painter has always been ignored.Until the founding of the people's Republic of China,women were well educated and influenced by Western painting art.The art of women's oil painting was gradually developed.From the initial aphasic state to the flourishing development of the present,the women's oil painting has experienced a rapid development,but the academic aspects of the construction of female artists and their related theories are relatively slow,and the depth and quantity of academic research need to be widened.Therefore,this paper has a double study on the language of the contemporary Chinese young women's oil paintings.The meaning of heavy.The aim of the thesis is to study the Chinese contemporary young and middle-aged women's oil paintings as the focus,so the comparative study method,the diachronic inspection method and the literature collection method are used to analyze the works.The field visits a large number of painting exhibitions,records the works,and watches interviews with artists,thus having a deep understanding of the changes and innovations in the themes and styles of contemporary young and middle-aged women oil painting artists,Yan Ping,Liu Hong,Shen Ling,Cai Jin,Xia Junna,Chen Zijun.First,in the first part,the development process of Chinese contemporary women's oil painting is briefly expounded;the second part studies the personality and commonness of the representative female oil painters in the creation,which is the focus of this article;the third part compares the self consciousness of the female oil painterwith the social opinion of the male oil painter.They belong to their feminist consciousness.It can be summed up that,first of all,women have constantly introspection and progress in the process of development;secondly,it shows the diversity of female painters in the creation of the creative themes,creative spirit and creative techniques of their works;finally,it is the value of women's oil painting,although it is inadequate,but as a new force female.Oil painting is constantly innovating and developing,so the value of its existence deserves to be affirmed.