Research On Female Images In Chinese New Forces Female Directors’s Films

Female images have been written by men for a long time,and women are portrayed as polarized images of angels and temptresses,virgins and prostitutes under the art of men.Since the women leaders of the French Revolution at the end of the18 th century launched the women’s liberation movement,women have gradually awakened and risen in the past two hundred years.The status and consciousness of women have been greatly improved,and women’s images are no longer allowed to be written by men.Female art creators include The shaping of female images in the artistic creation of female directors has become a unique and beautiful landscape.New power directors are a group of directors who have emerged in recent years to represent the new forces of Chinese film.Among them,Li Fangfang,Xue Xiaolu,Wen Yan,Bai Xue,Jia Ling,Yin Ruoxin,Shen Yu,Yang Lina,Yao Tingting,etc.are the representatives of female directors.This paper uses text analysis as the main research method and content analysis as a supplement.By sorting out and analyzing the female images in the films of the new power female directors,it summarizes the appearance of the female images in the films of the new power female directors.From the feminist film criticism From the perspective of analyzing the degree of female consciousness contained in their female images,and discussing what social and cultural context factors affect the shaping of female images and the construction of female consciousness in the films of new power female directors.The introduction part of this paper mainly discusses the origin of the research,defines the relevant terms involved in this paper,summarizes and comments on the research literature related to this topic,and summarizes the value and significance of the research topic and the research methods adopted one by one..The first chapter of this paper reviews the female directors of the past dynasties in New China in chronological order,and analyzes and summarizes the female images in the films of female directors who represented each era before the new power female directors.Rheology.The second chapter of this article is the key content of the article.First of all,it makes a necessary discussion on the content analysis data of female images in the films of new power female directors.The relationship with women analyzes the shaping of female images by new power female directors,and criticizes them through the analysis of female consciousness of female images in the film.The third chapter of this paper analyzes why the female image and female consciousness are displayed and constructed in the new power female director’s film from the social and cultural context,revealing the mapping relationship between film art and social reality.The fourth chapter of this paper is mainly the conclusion and suggestion of this paper.This paper believes that the female directors of new power have created many different types of female images on the screen.The number of female images has increased,but the female consciousness still needs to be further improved.Although the female characters created by female directors no longer assume the role of desire objects,they occupy the narrative However,the fate of the female image still falls into the fishing net woven by the patriarchal system,intentionally or unintentionally.In response to the conclusion of this paper,the author gives some trivial suggestions on the female image shaping and film creation of new female directors,in the hope that the flower of women can be better displayed on and off the screen.