Researching On The Re-creation Of Tu Fu's Poems By Liu Fenggao From Qing Dynasty

The cento poetry started from Fu Xian's "Seven Scripture Poems" in the Western Jin Dynasty.It was not until the Song Dynasty that it was really valued by the literati.However,at the beginning of the period,people did not leave the game barriers to the creation of cento poetry,and the cento poetry has always been marginalized.The emergence of the re-formation of Tu Fu's poems undoubtedly injected new vitality into the development of the cento poetry and opened a new direction of development.The Tu Fu poetics flourished in Song Dynasty.The great personality charm of Tu Fu and the epitome of his artistic value were excavated by the people of the Song Dynasty.The establishment of Tu Fu's lofty “poetry saint” status in Song Dynasty greatly promoted the emergence and development of the re-formation of Tu Fu's poems as a new form of cento poetry.The integration of Tu Fu's poetry model into the cento poetry creation made an important contribution to the continuation of the cento poetry's vitality.After a long process of historical development,the re-formation of Tu Fu's poetry has reached the peak of development in the Qing Dynasty.In this article,the three volumes of the re-formation of Tu Fu's poems created by Liu Fenggao in the Qing Dynasty were taken as the main objects of study.Through the in-depth combing of his re-formation of Tu Fu's poems texts,this article explored the cultural and artistic values contained in his re-formation of Tu Fu's poems.And combining with the specific life experience when Liu Fenggao created his "Ji Du poetry",the author deeply realized that Liu Fenggao's collection of Tu Fu poems created by Qinzhou was full of delicate psychology,in order to deeply appreciate the great continuation of Tu Fu's poetic art from the acceptance of Tu Fu's poetry by Liu Fenggao's re-formation of Tu Fu's poems.This article consists of three parts: the introduction,the main body(chapter 5),and the conclusion.The main part of the article is based on the idea of "whole-part-whole".The introduction part mainly reviews the academic research results of the research on cento poetry,the study of the re-formation of Tu Fu's poems and the research of Liu Fenggao,and explains the research value of Liu Fenggao's re-formation of Tu Fu's poems relying on the macro academic background.And this part establishes the basic research ideas.The first chapter summarizes the historical background of Liu Fenggao's re-formation of Tu Fu's poems.Combining the development trajectory of Tu Fu poetics,this part views the entire development history of the re-formation of Tu Fu's poems.The great achievements of the art of the re-formation of Tu Fu's poems in the Qing Dynasty were not achieved overnight.This is due to the long-term exploration,accumulation and breakthrough of the creation of re-formation of Tu Fu's poems by his predecessors.Liu Fenggao lived in the era of the epitome of poetry art,and his re-formation of Tu Fu's poems is a true expression of the great continuation of the vitality of poetry art.In the second chapter,the author firstly summarizes the main ideological content of Liu Fenggao's creation of re-formation of Tu Fu's poems.In 18 th year of Jiaqing Dynasty,Liu Fenggao was ordered to return to Beijing by the emperor's pardon.Taking this matter as the boundary,the three volumes of Liu Fenggao's creation were divided into two parts.The first two volumes were created in the exiled area of Heilongjiang,showing a depression and tragic style,with many bleak and desolate sounds.The third volume was created after Liu Fenggao was liberated.The style and content have changed significantly compared with before,and it truly reflects Liu Fenggao's life in his later years.At the same time,the creation of re-formation of Tu Fu's poems by Liu Fenggao reveals his favor for Tu Fu's poems created in Qinzhou.Taking this as a point of exposition,this chapter expounds the dominant acceptance of Liu Fenggao's Poems to Tu Fu's poems created in Qinzhou.The third chapter,for the highlight of this article,mainly starts from two aspects of geography and psychology,and specifically expounds the rational factors of Liu Fenggao's favor for Tu Fu's poems created in Qinzhou during his exile.This chapter goes from shallow to deep,taking the similarities of the environment Liu Fenggao and Tu Fu were in as the starting point,exploring the similar shallow life experience between the two,and on this basis,combining the two people's similar life experience and the same Confucian scholar identity,in-depth exploration the deep-seated "cultural life consciousness" that these two people share.The deepest "cultural life consciousness" is the most intense spiritual resonance that Liu Fenggao obtained from Tu Fu's poems created in Qinzhou.The fourth chapter focuses on other concrete examples in history that other unfortunate literatus liked to use Tu Fu's poems created in Qinzhou to express their emotion,and summarizes the typical meaning of Tu Fu's Qinzhou poems to express emotion.The fifth chapter summarizes the great artistic value of Liu Fenggao's creation of re-formation of Tu Fu's poems,and at the same time,from the achievements of his creation,the value of the two traditional poetic themes can be compared.The Liu Fenggao's artistic achievements are actually comprehensive fermentation by "Nature's Help to Literature Creation" and "The worse the experience,the better the poetry creation ".Concluding remarks,summarizing the research road of Liu Fenggao's creation of re-formation of Tu Fu's poems,using its shining artistic brilliance as the endorsement of poetry,appealed to the academic community to pay more attention to the cento poetry and the collection of Tu Fu's poems.