Comparison Of Qindierhu And Jiangnanerhu Regional Style

As one of the Chinese traditional musical instruments,Erhu's genres are tightly connected with unique styles in area of Qin and the southeast of China.According to Erhu's origin and the time that it's art had not been formed,this article will describe Erhu's excellent development prospect in the southeast of China from it's historical background.Since 1950's,Erhu' art has formed different styles in different areas.Later,they have mainly been changed in Qin area and the southeast of China.According to the different geographies,economy and language,this article will analyze and study different folk-customs and folk-music as the elements for the basic composition.Compared with the different local culture,this article will find how they have formed their own categories and their inner connection.Then based on the time of each genre's development,this article will take the two main inheritors as the main clue to explore different artists in different ages on their composition,performance,teaching and transmission and their great contribution to Erhu,which mainly link to the regional culture.Again,from the three different periods-initial stage-silver age-new discovery,expounded by Mr.Qiao jian zhong,this article will analyze and compare their representative works by their musical form and structure to find their innovation and influence on the follow-up works.In return,from the angle of performing,this article will explain the connection with different styles in vary areas to discover their connotative law and style characteristics.As a result,these will help the performers perform better when they are playing different musical style works.From this article's relation,this passage will have double value-practical significance and theoretical significance.