Study On The Mourning Of Qu Yuan

Later generations' wield ceremony to Qu Yuan derives from their longing love and the heart of worship for ancient sages.The wield style and the ritual of it are inseparable.The form of wield ritual changes from the god to people reflects the wield style has also undergone a transformation from the offering to cry.The author categorizes the various types of wield styles and seizes the general transforming way of wield styles for Qu Yuan.The author also explores the sentiments later generations are willing to express through the wield styles.By comparison,the author summarizes the plentiful content of wield style in literature expression.The paper consists of five chapters in all,The first chapter is the classification of wield styles for Qu Yuan.This chapter,the author combines with the existing classification standards of the ancient styles and the characteristics of wield styles for Qu Yuan itself.Consequently,the wield styles for Qu Yuan will be divided into three categories,nisao,mourning,and tablet inscriptions.The works of nisao,which are dedicated to the works of Qu Yuan,become the source of wield styles for Qu Yuan.The patterns of mourning are abundant,the rhyme is scattered and the line is clear.From the distribution of the time quantity can be seen that confucians in Song Dynasty thinks highly of Qu Yuan's harmonious political thoughts and the ethical system.The tablet inscriptions contains the inscription articles and inscriptions for temples.Through the recording of the inscription,it can be seen that the commemoration of Qu Yuan has risen from the personal behavior of the people's standards in national spirits and patriotism sentiment.The second chapter expresses the sorrow in the form of Sao style.First of all,the difference between Dazhao and Zhaohun in imagining "spiritism",reflecting differences in both its subject and themes,and Fanzhanhun spiritism "deconstruction embodies the author's own different patriotism.Secondly,quasi Sao literati of condolences in the works of Qu Yuan embodies a concentrated reflection of sink for the characterization of Miluo River,they arrange the death of Qu Yuan's two distinct evaluation,it can be seen that the relationship between the Confucianism thought and its current literature.Therefore,literati identities' anxiety and "unified" period,they compromise of political rights and attachment,let qu Sao's concern about the emperor into loyalty to the emperor in its theme from nisao.In the third chapter,the author will express the anger and uncomfortable sentiment inthe form of mourning.Because the style of mourning can be divided into public one and individual one,there is a difference between the applicable styles and the lyric styles.Qu Yuan,the ritual mourning applied style including blessing articles,blessing passages and eulogy,the blessing articles refers to Gwen,it aims at praying god,eulogy concerns people's emotions,and sacrifices and praise.The applicable style mainly expresses the awe,compassion and praise of the god of Qu Yuan,while the lyric style is the representative of the ancient wounded and self-expressing.Qu Yuan's encounter,choice of the infection and touch of the later world,become Qu Yuan's spiritual significance.The fourth chapter is about the tablet inscriptions.The tablet inscriptions is a witness to the building of the temple,and also the carrier of the spiritual inheritance of Qu Yuan.The stone tablet is mainly based on memory,and most of the language is short and succinct.It has the function of "realism and virtue",which is helpful for the textual research of Qu Yuan's life and temple construction.Due to sand the form and expression of freedom at the same time,can see the different class understanding and evaluation of Qu Yuan,Qu Yuan in the different political and cultural environment,gradually get rid of historical,abstract become the symbol of national moral models and the national spirit.Chapter No.5 is about the cultural connotation of Qu Yuan's condolences.Mourning ritual is the bridge of the life and death,mourning ritual author is actually to seek for the ideal to acceptance of Qu Yuan,release the anxiety,the process of self-awareness,reflects the era of political,cultural mentality,showing the rich cultural connotation,can be summed up in the home and the feelings,the integratation of culture and the cry of tradition stuff.The feelings of home state are incisively and vividly reflected in Qu Yuan,while the relegation experience is the key to the resonance between Qu Yuan and the later generations,which leads to the profound thinking about the death of Qu Yuan.In a word,through the communication between life and death of this spacial literature style,wield style,Qu Yuan and later generations will cry of eulogy.The author discusses the relationship between literature and etiquette,reflecting and affecting Qu Yuan's spirit in the future,which can be found dead literature in Qu Yuan's cry of diverse performances on the theme and rich connotation,leaving valuable mental nourishment for later generations.