Dongfang Exploration Of Audio-visual Language In East Asian Films

The film has been in China for more than one hundred years,and it has taken root and sprouted in the long history and culture of China.In recent years,Chinese films have gone abroad and connected with the world films,but from the perspective of Chinese film itself,the cultural recognition degree is not high compared with the neighboring countries,such as Japan and Korea,and there is no unique Chinese film culture connotation,in other words,Chinese movies do not have their own style and system.The film has formed a complete audiovisual language system since its birth,facing the universal audio-visual language system,it is not easy to apply it to the local film creation practice.This paper through orientalizing the audiovisual language of East Asian movies to analyze the films of the director Hou Xiaoxian,Taiwan China,south Korea's director Jin Jide,Japanese director Yasujiro Ozu,and trying to make a comparative analysis of those three director's films with western Hollywood movies to find out the differences.And then try to find out the unique orientalization implication of Chinese mainland films.Each individual director all has his own unique creative style,adding native elements to the individual personal creation is a kind of the expression of feelings,a kind of the sublimation of human life and a kind of the concrete manifestation of the philosophy.The reason why those three directors have achieved such a high level of achievement is that they are working very hard in making films.And each director in the creation process is neither conceited nor rash and not anxious to achieve quick success and get instant benefits.All of those three directors create films in accordance with their own temperament,and the pursuit of artistry in the film is a constant topic in their films.