The Classic Course Of The Peony Pavilion

When the peony pavilion has just come out,because many song out problems such as melody,different forms of communication,through more than four hundred years in opera has established its classic status.During this long process of communication,"peony pavilion" has been developed from the initial print and stage performance to the use of film and television media for promotion,including some other auxiliary forms.The propagation process of "peony pavilion" is the review and summary of its classic road,and the reversion of its diversified transmission path is the restoration of the classic process.The full text will be studied from the following aspects.In the first chapter,"the adaptation of tang xianzu and du li niang's story"analyzes the complicated thoughts of tang xianzu,the adaptation of tang xianzu'sstory and the author's feelings contained in "peony pavilion".Tang xianzu was the first propagator of peony pavilion.The author's real intention of creation is to be carried forward or ignored in the later communication process,which should be discussed from this fundamental source.Therefore,this chapter will combine the thoughts and experiences of tang xianzu to discuss the theme creation of "peony pavilion".Through the analysis of "the peony pavilion" dialogue book "li resurrection" in ideological content and artistic form of inheritance and development,further reveals the true of tang xianzu to construct the peony pavilion.At the same time,the relationship between tang xianzu and "peony pavilion" is discussed from the perspective of the imperial examination and the political feelings.The second chapter "the evaluation of the peony pavilion" analyzes the critics,the form,the function and the content of the evaluation of the peony pavilion.The continuous development of economy and the prosperity of printing industry promoted the widespread dissemination of literary works.In the Ming and qing dynasties,there appeared numerous versions of peony pavilion,which spread the peony pavilion to different extents.This chapter will focus on the analysis of the content of "peony pavilion".As a whole,the evaluation is divided into two forms,male and female,and the conclusion is totally different due to the difference of gender and perspective.The third chapter "the peony pavilion adaptation" Ben,Ben and artists change is divided into scholars although both the starting point of the same,all is in order to make the peony pavilion is suitable for stage performance,but in the concrete presents different features in the process of adaptation.The fourth chapter analyzes the stage spread of "peony pavilion".Stage transmission is also the main transmission form of "peony pavilion".During the Ming and qing dynasties,the peony pavilion was mainly performed on the stage in the form of family classes and follies,and then it was made into a variety of local operas.This chapter also has sorted out the performance of "the peony pavilion" in modern times,and the success of the youth edition of "the peony pavilion" stage of were discussed by,and for foreign of four different characteristics of the peony pavilion is analyzed.The fifth chapter mainly studies the film and television of "peony pavilion"and the transmission of other ways.This chapter discusses the process of "peony pavilion" through electronic media,mainly TV and film.The film,TV and "peony pavilion" show the incomparable superiority,but also some deficiencies.This chapter also takes the rap literature,the novel opera,the illustrated New Year picture,the wine token as an example,analyzes the other forms to the "peony pavilion" spread.